here are two child stars abused by the system: one made a cringe song and the other just had several court cases where they pleaded guilty to sexually grooming children. quick! which of the two have been bullied and shamed ceaselessly and which one has millions of views on their new mediocre music video as well as millions of sympathy comments and solidarity posts?

Everyone's dunking on jojo siwa for being cringe and dressing strange like she's not out living up to her name and having a bizarre adventure

I was a bad guy 👹

sorry for the celebrity drama but i just do not care about jojo siwas rebrand. i didn't even know she had (supposedly) stolen a song until my friend explained it to me because all i saw were people going like "omg look at her CRINGE makeup!!!!!!!!!!!!"

like man. how many times does a child star have to go through this before we just learn to let them be cringe for a while. i do not care if this young queer girl, who has been screamed at by adults on television since she was like 7, then was the target of so much public mockery throughout her teens specifically focused on her being seen as annoying and stupid, is being cringe in public. becoming an adult is already hellish & having to do that when your entire identity has been a child friendly brand for your whole life? the only criticisms of her ive found at all interesting are like, how she is seemingly disconnected to past and present queer culture, how she and her mother treated their girl group dancers. but god if she wants to wear sparkly pseudogoth outfits and hump girls in a music video fucking Who Cares. "cringe culture is dead" was a fucking joke literally nothing has changed wrt how we as a society treat weirdness esp of queers, kids, and girls. "cringe" is not and will never be a good critique of anyone's behavior!!!!!!

Happy Pride Month 🌈💜

doodles for a tiktok

thinking a lot about the phenomenon of celebrities going through their "baby gay" phase in the spotlight. idk i know it's funny to joke about jojo siwa and "gay pop" etc etc and there's so much valid criticism there. but i also think there's something to be said about how pop culture forces queer people out of the closet which means that if celebrities try to work through their baby gay phase on their own they're considered "traitors" or "liars" or "queerbaiting" etc etc for trying to keep their sexuality private, but if they decide to come out as soon as they know "what they are" they become cringe in the eye of the public bc they're still figuring out what it means to be queer. idk. like even with chappell roan, i know she's a pop culture darling rn and i adore her. but sometimes she says stuff in interviews that feels so baby gay and i have to remind myself that she's just. a young person who is in the spotlight and figuring herself out still. and even with the jojo siwa thing like. again obv she sounds so ignorant when she talks about wanting to "invent gay pop" but it's also like. god. figuring my gender/sexuality business out was stressful enough when i was sitting alone in my bathroom at age 13. i cannot imagine growing up in the spotlight with hundreds of cameras and millions of eyes on me. and then having to be my "cringe" newly out queer self to the masses. idk lots to chew on. i've just been thinking about this a lot recently.

Jojo Siwa: I'm creating a new genre called gay pop

me fr:

it's extremely funny to me that people are shitting on JoJo Siwa's rebrand by, among other things, comparing it unfavorably to Miley Cyrus' Bangerz era. I've heard several people give the take that Bangerz Miley was legitimately shocking and effective, while Karma feels like a weak attempt to do something similar and like... I can't help but think that a full decade of distance has completely distorted people's memory of the public reaction to Bangerz. Like I distinctly remember EVERYONE going in on Miley for that era. Literally all parties from all sides of american culture came together for a brief period of time in 2013 to dunk on her for being a white girl with no ass trying to twerk. She was cringe, she was trying too hard, she was too raunchy, she was appropriating black culture, she was using black women as props, the music sounded like shit. I cannot remember anyone in 2013 saying a single good thing about the Bangerz era so it makes absolutely no sense to me that people are acting like JoJo getting relentlessly shitted on, albeit for slightly different reasons, is a sign that her rebrand has failed and her career is over when Miley fully bounced back from that criticism and is now a goddamn grammy winner. What makes you think that JoJo's career arc will be any different? Like yes she's attracting a different kind of negative attention than Miley did but it's still the same principle, it's still just doing some crazy shit with the mindset of "all publicity is good publicity". You're still giving her earned media, you are literally getting played like a fiddle by this woman and giving her exactly what she wants. Oml in a decade's time JoJo will be putting out music people actually like and everyone will pretend like Karma was a genius career move and none of this ever happened because the cultural memory is ipad baby levels of abyssmal

jojo siwa claiming she's revitalizing gay pop and releasing 'karma' on the same night as conan gray's 'found heaven' and chappell roan's 'good luck babe' is so poetically ironic. it's like the universe WANTS to draw a comparison between jojo and queer pop artists.

the thing that makes queer pop compelling as a genre is the unique storytelling and experiences of queer artists told through their music. that doesn't necessarily mean every song by a queer artist has to be about their queerness. they don't have to scream "hey i'm gay!" in every single song they write. but claiming to be "reinventing gay pop" should mean you're telling interesting stories about your queer experience, right???

'found heaven' by conan gray is about growing up as a queer kid with religious guilt and disapproving parents. he equates being in love in an authentic way to "finding heaven", and the piece as a whole resonates with a TON of queer people in different stages of their lives. some people can look back at their childhoods and how much they've grown since then, some can relate because they're currently going through what conan's written about, and some people can sympathize with the way some queer people are treated, even if they aren't necessarily queer themselves.

'good luck babe' is a song about queerness and compulsory heterosexuality. chappell sings about a woman she was in a relationship with who decided to settle down in a conventional marriage despite being queer. the song reflects the denial a lot of queer people go through (specifically regarding the lesbian experience) and the unfortunate way a lot of them end up repressing who they are to conform to societal standards. it's fun, it's campy, but its message is still poignant.

as for karma… there's nothing inherently queer about that song. the music video for the original version, ‘karma’s a bitch’ by brit smith, featured a heterosexual storyline. jojo buying the rights to a song she didn't write isn't inherently a bad thing, a lot of mainstream artists do that all the time. however, if you're claiming to be a pioneer of the “gay pop” genre and your music doesn't reflect any queer themes or experiences, is it really “gay pop”? again, queer artists don't have to write exclusively about their queerness, but if you try to present yourself as a voice for the queer community without telling any of their stories, you're not going to be lauded as some revolutionary figure. if any of the songs on jojo’s album are actually about her experience as a lesbian or contain any queer themes, then i think she'd qualify as a “gay pop” artist. but so far, she's given us a faux edgy, generic pop song and tried to market it as some insane never-been-done-before feat. and honestly, if her entire album is like this and she continues to market herself this way, it's a slap in the face to all the genuine artists and storytellers in the queer community.

but let's stop talking about jojo siwa and start talking about the incredible queer artists who are truly breathing life into the "gay pop" genre: chappell roan, renee rapp, ben platt, conan gray, girl in red, kevin atwater, baby queen, mitski, clairo, dodie, and SO MANY MORE (feel free to add on some of your favourites because there are so many wonderful artists out there <3)

also: if you have a different perspective on this situation i would absolutely love to hear what you think and if you agree / disagree with this! i love discussing topics like this so feel free to reblog with your own take

not a dream

It's sad and disheartening to see how many predators and generally bad people JoJo Siwa has been around since she's been a little kid and how much she's defending them now as an adult with a huge platform and immense influence.

Going to Howie Mandel's show to defend Colleen Ballinger and calling her victims liars basically... while she herself was a child that Colleen befriended as an adult... I'm sad for her. But I'm also mad at her.

dating me is like polyamory cause i got multiple voices in my head

So we all saw the arch, right? I feel like he actually doesn’t have a lot of experience or maybe none at all. He’s been pretty lonely in the friend department since childhood so I can only assume the same for significant others. He definitely wants to be romanced the hell out of before you fuck him.

I feel like he would want to look at you while you do it, so most times you’d end up with his legs draped over your shoulders. But as long as you’re giving him (his ass) attention, he’ll enjoy any position. Said this in the last post, he heavily enjoys princess treatment, so praise while you fuck into him is a yes.