Do you use a Canon EOS R mirrorless camera? From wide-angle to telephoto, these are the best lenses we've tested for the platform.

The Micro Four Thirds system invented modern mirrorless photography and has something for every photographer. These are the best lenses I've tested for a range of shooting conditions.

Sigma's 16-300mm F3.5-6.7 DC OS Contemporary lens has an incredible zoom range, focuses fast and close enough for macros, and includes weather sealing, but it's an extra-wide starting angle that pushes it ahead of the pack.

The Nikkor Z 180-600mm F5.6-6.3 VR is the best big zoom lens for photographing wildlife, field sports, and other distant scenes with a Nikon Z camera.

OM System's M.Zuiko Digital ED 100-400mm F5.0-6.3 IS II lens wins us over with its wildlife-friendly focal length, fully weather-sealed construction, and reasonable carry weight, all of which make it a worthwhile addition to a Micro Four Thirds kit.

Whether you're shooting APS-C or full frame, these are the best lenses we've tested for Sony mirrorless cameras. From wide-angle zooms to telephoto primes, we cover all your needs.

The heavyweight Sigma 300-600mm F4 DG OS Sports zoom lens matches an extreme telephoto angle of view with a bright f/4 optical formula to bring distant subjects into close, clear view, even in fading light.

The Sony FE 50-150mm F2 GM breaks new ground by putting F2 optics in a telezoom lens and should be a hit among well-funded photographers who specialize in weddings, portraits, and indoor sports.

The Viltrox AF 50mm F2 Air delivers sharp, full-frame pictures with softly defocused backgrounds for less money than you'll pay for a first-party Nikkor Z or Sony FE lens.

The Viltrox AF 35mm F1.2 Lab stands out from other prime lenses with its extra-bright apertures and impresses with fast focus and sharp results, but its controls don't work as well as they should.

The Nikon Nikkor Z DX 24mm F1.7 is a small prime lens that captures a ton of light to get better-looking pictures in dim conditions and more noticeable blurred backgrounds than your camera's bundled zoom.

Fujifilm was one of the first camera makers to embrace mirrorless systems and has one of the most well-established lens libraries. These are the best we've tested.

The Nikon Nikkor Z DX 12-28mm F3.5-5.6 PZ VR is a useful wide-angle zoom lens for photographers and vloggers who want to fit more of the world in a single frame.

The Fujifilm Fujinon XF 16-55mm F2.8 R LM WR II delivers reliable autofocus and pro-grade f/2.8 optics. It's a worthwhile splurge for system owners who want a premium zoom lens that's built as well as an X system camera.

The Fujifilm Fujinon XF 56mm F1.2 R WR lens captures gorgeous images with soft backgrounds and is fully weather-sealed, but its slow autofocus is limiting for event photography and video.

The Fujifilm Fujinon XF 500mm F5.6 R LM OIS WR is one of the lightest super telephoto prime lenses you'll find and captures amazingly detailed images, making it an excellent choice for wildlife photographers.

Realme and Xiaomi showed off concept devices at Mobile World Congress that involve attaching a lens to your phone to get sharper shots.

The Sony FE 16mm F1.8 G lens mixes bright prime optics with an epically wide angle of view and is well-suited for landscapes, architectural photography, and vlogging.

The Sony FE 400-800mm F6.3-8 G OSS lens provides the extreme telephoto reach that bird and wildlife photographers require in a premium design with weather protection and internal zoom.

The OM System M.Zuiko Digital 17mm F1.8 II is a tiny lens with a big feature set, including snappy autofocus, IPX1 drip resistance, and a useful moderately wide angle of view.