Entertainment Spotlight: Kristian Bruun
Toronto-born Kristian Bruun currently stars in Carter (IMDbTV/SONY) alongside Jerry O’Connell. Most recently, he played Donnie Hendrix on the award-winning hit sci-fi series Orphan Black (BBC America) and also recurred for six seasons on Murdoch Mysteries (CBC), playing Constable “Slugger” Jackson. Recent TV appearances include recurring roles in The Handmaid’s Tale (Hulu) and 11.22.63 (Hulu). Kristian’s notable film credits include the recent thriller Ready or Not (Fox Searchlight), Slamdance ‘16 Official Selection, How To Plan An Orgy In A Small Town directed by Jeremy LaLonde; Berlin ‘15 Official Selection, Life, the James Dean biopic directed by Anton Corbijn, starring Robert Pattinson, Dane DeHaan and Sir Ben Kingsley. He also appeared in Amy Jo Johnson’s directorial debut, The Space Between and her TIFF ’19 follow-up Tammy’s Always Dying, Jeremy LaLonde’s next feature The Go-Getters as well as Mary Goes Round directed by Molly McGlynn and starring Aya Cash. Upcoming: The thriller mini-series Departure (Peacock TV).
How did you get involved with The Bright Sessions/ The AM Archives?
I had just worked with Lauren on another podcast she was writing/directing called Passenger List (a scripted thriller starring the amazing Kelly Marie Tran) and we had such a blast working with each other. She asked if I wanted to play Oliver and it was a no-brainer on my end. Lauren is super talented and so much fun to work with, I had to say yes!
You’ve starred in over 100 episodes of television. How do the roles that you play affect you when you play them for multiple episodes or seasons, and does this differ from roles that you’ve only played once?
I think one of the weirder parts of this job is how personal it is. Because these characters are being interpreted by me, you can get really attached to them. The closer that character is to you, the more of a hold then can have on you. That’s why I think it’s very important to be able to step away and leave the character at work. That said when you play a character for multiple seasons, saying goodbye to them can very emotional and heart-breaking. It’s like a mini mourning when you put them away for good.
What’s the last thing you do before you begin recording and/or the camera starts rolling?
I’m usually thinking of where my character is coming from. What has just happened to them (now, five minutes ago, an hour ago, days…). Mind you, that’s all worked out in your research and prep work. You always want to enter a scene as if you’re already in it. If you’ve done your work right, you can take a deep breath, ground yourself, and go.
If you could get the definite answer to any question, what would you ask or want to know?
How can we time travel? Seriously. I’m such a history nerd. I just want to be able to go back and see great moments/civilizations/truths in history. I DON’T WANT TO CHANGE A THING! I just want to be a witness. A time ghost tourist if you will.
Can you share your favorite piece of Bright Sessions / AM Archives fan art?
It’s a no-brainer why I love this piece of art [by @thefigureinthecorner. It’s an important, beautiful message and an image of joy. (I’m guessing that’s Oliver on the right. lol)
Thanks so much for taking the time, Kristian! Give The Right Way a relisten right here.