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25 June 2024

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  • diffhist N Page:Rolland - Beethoven, tr. Hull, 1927.pdf/120 21:48 +1,44682.167.150.69 talk(→‎Not proofread: Created page with "sought permission through the Embassy to be allowed to dedicate this work to the King, and it was granted. At Dr. Spiker's instigation, I was obliged myself to hand over to him the manuscript for the King, with the corrections in my own handwriting, as it was to be placed in the Royal Library. Something has been said to me about the red order of the Eagle, 2nd class; what will come of it, I do not know, for I have never sought such tokens of honour; yet...) Tag: Not proofread
  • diffhist N Page:Rolland - Beethoven, tr. Hull, 1927.pdf/119 21:46 +1,41882.167.150.69 talk(→‎Not proofread: Created page with "course of things; every one must pursue and try to attain distinction in his calling; but the eternal unshaken foundations of virtue held us ever firmly united. Unfortunately, I cannot write to you to-day so much as I wished, as I am bedridden, and therefore confine myself to answering certain points of your letter. You write that I am somewhere spoken of as a natural son of the late King of Prussia; I, likewise, heard of this long ago, but have made it...) Tag: Not proofread
  • diffhist Page:Rolland - Beethoven, tr. Hull, 1927.pdf/158 21:41 +182.167.150.69 talk
  • diffhist Page:Rolland - Beethoven, tr. Hull, 1927.pdf/165 21:39 −4082.167.150.69 talk
  • diffhist Page:Rolland - Beethoven, tr. Hull, 1927.pdf/165 21:39 +282.167.150.69 talk
  • diffhist N Page:Rolland - Beethoven, tr. Hull, 1927.pdf/165 21:38 +1,16982.167.150.69 talk(→‎Not proofread: Created page with "{{c|{{l|THE PIANOFORTE SONATAS}} {{c|1st {{sc|Sonata}}, Op. 2, No. 1, in F minor.}} The first Sonata has the usual four movements of the Haydn form: ''Allegro—Adagio—Menuetto'' and ''Trio—Prestissimo''. The first and the last are in the usual Sonata form proper. The slow movement follows Mozartian lines. This Sonata is the first of the set of three in this Opus, which are all dedicated to Joseph Haydn, and the fact of such a superscription points to th...) Tag: Not proofread
  • diffhist Page:Rolland - Beethoven, tr. Hull, 1927.pdf/118 21:33 +182.167.150.69 talk
  • diffhist N Page:Rolland - Beethoven, tr. Hull, 1927.pdf/118 21:33 +1,27982.167.150.69 talk(→‎Not proofread: Created page with "times have been better for us than for hundreds of others. The greatest blessing is that we all keep well and that we have such good and noble children. Yes, they have hardly given us any trouble, and they are such merry and happy little people. Lenchen has had only one great grief; it was when our poor Burscheid died: a loss none of us will ever forget. Adieu, dear Beethoven, and think of us as the most loyal of friends. {{right{{sc|Eln. Wegeler.}}}} {...) Tag: Not proofread
  • diffhist N Page:Rolland - Beethoven, tr. Hull, 1927.pdf/154 21:24 +1,21382.167.150.69 talk(→‎Not proofread: Created page with "it is, too, free from any vulgarity. A lovely bit of blue sky showing at the end, leads straight into the shepherd's song of thankfulness, which although containing several interesting points, the triple pedal at the opening with its horn yodel, etc., is somewhat lengthy and not very interesting. Beethoven had once intended to introduce words and chorus here, "Lord, we thank Thee," and it seems a pity that this idea was not carried out. {{c| 7th {{sc|Sym...) Tag: Not proofread
  • diffhist N Page:Rolland - Beethoven, tr. Hull, 1927.pdf/160 21:18 +64682.167.150.69 talk(→‎Not proofread: Created page with "gests an unusual tuning of the drums in octaves. A ''fugato'' follows, after which the second subject enters in the unorthodox key of C major. It is here that many conductors take upon themselves to thicken Beethoven's wood-wind melody, with the brass instruments. The ''Trio'' is built up on a delightful double theme ushered in by the very first entry of the bass trombone. The ''Adagio'' opens with a melody of the utmost nobility, perfect in curve, and...) Tag: Not proofread
  • diffhist N Page:Rolland - Beethoven, tr. Hull, 1927.pdf/159 21:16 +79182.167.150.69 talk(→‎Not proofread: Created page with "were taken up again and worked into a Finale for this Symphony. Ten years had elapsed between the completion of the Eighth Symphony and the consummation of the Ninth, the colossal first three movements of which are on the highest plane of all music. As to the complete success of the choral numbers, opinions differ widely. The first movement, colossal in conception and dignified in tone, has moods of great passion and wonderful tenderness. The opening the...) Tag: Not proofread
  • diffhist Page:Rolland - Beethoven, tr. Hull, 1927.pdf/158 21:13 +382.167.150.69 talk
  • diffhist N Page:Rolland - Beethoven, tr. Hull, 1927.pdf/158 21:13 +98982.167.150.69 talk(→‎Not proofread: Created page with "The final movement is a masterpiece of construction and development which its astounding interruptions so amply justifies finally. {{missing score}} {{c|9th {{sc|Symphony}}, in D minor, With Final Chorus on Schiller's "Ode to Joy." (Op. 125). ''Allegro ma non troppo un poco maestoso—Molto vivace—Adagio molto e cantabile—Choral Finale'' }} It is important to remember, as M. Romain Rolland has reminded us, that this is not a Choral Symphony in the stric...) Tag: Not proofread
  • diffhist N Page:Rolland - Beethoven, tr. Hull, 1927.pdf/157 21:09 +1,01382.167.150.69 talk(→‎Not proofread: Created page with "months of the summer and early autumn of 1812. It is smaller in scale, slighter in texture, than the other symphonies. Erroneously regarded as a return to an earlier style, and labouring for some time under the absurd title of "Ballet-Symphony," it has been somewhat neglected in the past. Without the grandeur of the Fifth or the romance of the Seventh, it contains a lasting, if less easy, charm, perfect finish, and a rich fund of good humour. Only a smal...) Tag: Not proofread
  • diffhist Page:Rolland - Beethoven, tr. Hull, 1927.pdf/156 21:07 082.167.150.69 talk
  • diffhist N Page:Rolland - Beethoven, tr. Hull, 1927.pdf/156 21:06 +92282.167.150.69 talk(→‎Not proofread: Created page with "{{missing score}} making it a kind of Rondo—A, B, A, B, A—to say nothing of the humorous juxta-position of the two subjects near the end. The ''Finale'' is also planned on the big scale, colossal in force and mighty in stride. There is a curious perversity of scale in the First Subject as though Beethoven was no longer satisfied with the ordinary major. The marvellous stride of the Bass at the end is not the least amazing of the features in this wonder...) Tag: Not proofread
  • diffhist N Page:Rolland - Beethoven, tr. Hull, 1927.pdf/155 21:03 +1,06982.167.150.69 talk(→‎Not proofread: Created page with "movement in 6-8 time, is full of a verve and vitality which seems to reach its fullest power on the horns and wind instruments with their tucketting rhythms. {{missing score}} The ''Coda'' amounts to a second development, and the whole movement goes with a splendid swing from beginning to end. Rhythm but of another kind is also paramount in the elegiac pageant-like movement designated ''Allegretto'', but curiously enough marked by Beethoven himself at...) Tag: Not proofread