Writer Spotlight: Claire Ahn

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Claire Ahn grew up in Seoul, Korea, which she still considers home. She moved to New York to attend university and now lives in Long Island City with her husband, newborn daughter, and their dog, Dante. Claire writes about transcultural experiences and the traditions, values, and legacies that shape who we are. I GUESS I LIVE HERE NOW is her debut novel. Click through to read about mouth-watering food and homesickness remedies, and for some really good writing advice.

Can you tell us a little bit about how you came to write I GUESS I LIVE HERE NOW?

I think most debut authors would probably divulge this, but the first novel is always a bit of a circuitous path. You can never really pinpoint the beginning of the first because it’s just this blurry idea you had years ago that somehow—through repetitive classes and workshopping and rejections—becomes a novel. I suppose this idea was conceived back in 2016, but it’s gone through many transitions, from a children’s book to a middle-grade book, then a young adult novel, and within it, about four to five full revisions. 

I started writing to release stress from a grueling job in public relations, where writing felt so formulaic and not at all creative. I’ve always loved storytelling, and was told PR is the world of storytelling as a profession, but it wasn’t enough to fill the creative well in me. So I took up course writing at Gotham Writers Workshop, which is how this all began for me. Plus, I got free wine every week. How could I have stopped attending? 

You’ve written your own experience in reverse, going from New York to Seoul, and made it YA. What were some challenges you faced in doing so? 

From a craft perspective, it was hard to write Seoul as if it was the first time. Everything there feels second nature to me, from the street foods to the lavish grocery stores and intensely beautiful cafe culture. It’s never a shock when I go back home, so having to write it fresh was hard. Hopefully, I somewhat successfully captured the newness of it from Melody’s eyes. From a personal experience perspective, my constant fear is that someone in my life will be convinced a flawed character was inspired by them! Woof. If you’re reading this, close friend or family member, this is not the case! 

Melody and her friends are all navigating parental expectations while trying to make their way in the world. What do you hope readers take away from seeing these character dynamics represented?

 Am I the only one feeling like I sometimes live my life intensely trying to please my parents? Oh God, I hope not. I hope readers feel seen and less alone in having dreams that may defy the wishes of parents or guardians or even of peers and the capitalistic society in which we live. I hope readers feel reminded that they can simply be. They can have lofty dreams like Melody, or they can want to dream of being comfortable and accepted in their skin, like Kimbeom, or they can just want to live in their present, and that is all okay and good. Let’s change the narrative of having to stamp influential footprints in this world. 

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