Songtradr’s Post

Dance music is a fundamental aspect of black music but also music in general. Take a listen to this interesting segment on the history and culture of Disco's origins! Black Futures: How disco set the stage for dance and electronic music https://lnkd.in/ek_KzPHa

I'm absolutely elated to announce my recent interview with online publication LBB Online. Dive into the captivating article, "Helping Brands Connect with Music and Reclaiming EDM," and join me in celebrating the power of music and its impact on our lives. In this extraordinary interview, I had the honor of delving into my journey as a house music pioneer, uncovering the untold stories behind the genre that has taken the world by storm. From the infectious beats that ignite our spirits to the unity it fosters, I shared my experiences and insights with the utmost passion and authenticity. One of the most exciting aspects we explored was the invaluable role music plays in connecting brands and audiences. Together, we can create remarkable experiences that leave a lasting impression. Moreover, we embarked on a mission to reclaim EDM and reshape its narrative. By shedding light on its rich history and advocating for inclusivity and diversity, we aim to transform the industry. Join me in embracing EDM's cultural significance and amplifying underrepresented voices for a brighter, more inclusive future. I am truly grateful for the opportunity to share these profound discussions, and I invite you to be part of the conversation. Let's unite on LinkedIn and beyond, sharing the power of music, the importance of authentic collaborations, and recognizing Black music. Together, we can make a lasting impact and shape the future of the ad world and the music industry. Read the full article here: https://lnkd.in/gBXrC86m #MusicIndustry #BrandPartnerships #Inclusivity #EDM #VinceLawrence #LBBOnline

game-a showcase for unsigned talent ”FOOTWRIGHT” AND ”A SHOWCASE FOR UNSIGNED TALENT” RESPECTS ALL FORMS OF TALENT AND WELCOMES EVERYONE TO SHOWCASE THEIR SKILL. THE SHOWCASE SITE IS A FAMILY FRIENDLY ENVIRONMENT AND AS SUCH WE DO NOT ALLOW PROFANITY OR ANYTHING GENERALLY CONSIDERED OBSCENE. WE DO RECOGNIZE THAT ART AND EXPRESSION CANNOT BE DEFINED IN ANY ONE WAY AND WE DO ENCOURAGE FREEDOM OF EXPRESSION, BUT WE HAVE TO BALANCE THAT WITH MAINTAINING A FAMILY FRIENDLY SITE. TO ADDRESS THIS ISSUE AND TO ALLOW A LITTLE MORE ROOM FOR VARIOUS FORMS OF EXPRESSION WE WILL BE PROVIDING ADDITIONAL AVENUES FOR THOSE FORMS OF EXPRESSION THAT MAY HAVE A “LITTLE MORE EDGE” TO THEM, ALL OF COURSE WITHIN REASON. WE TOTALLY BELIEVE IN SUPPORTING ALL FORMS OF EXPRESSION MANIFESTING ITSELF THROUGH INDIVIDUAL TALENT. THIS IS WHY G.A.M.E. WAS CREATE, THIS GROUP IS AN OUTLET TO SHOWCASE OUR UNDERGROUND RAPPERS VIDEOS AND SELL UNSIGNED ARTISTS UNDERGROUND MUSIC.ALL UNDERGROUND VIDEOS SHOULD BE UPLOADED TO G.A.M.E.–“FOOTWRIGHT’ Scan and watch videos

game-a showcase for unsigned talent ”FOOTWRIGHT” AND ”A SHOWCASE FOR UNSIGNED TALENT” RESPECTS ALL FORMS OF TALENT AND WELCOMES EVERYONE TO SHOWCASE THEIR SKILL. THE SHOWCASE SITE IS A FAMILY FRIENDLY ENVIRONMENT AND AS SUCH WE DO NOT ALLOW PROFANITY OR ANYTHING GENERALLY CONSIDERED OBSCENE. WE DO RECOGNIZE THAT ART AND EXPRESSION CANNOT BE DEFINED IN ANY ONE WAY AND WE DO ENCOURAGE FREEDOM OF EXPRESSION, BUT WE HAVE TO BALANCE THAT WITH MAINTAINING A FAMILY FRIENDLY SITE. TO ADDRESS THIS ISSUE AND TO ALLOW A LITTLE MORE ROOM FOR VARIOUS FORMS OF EXPRESSION WE WILL BE PROVIDING ADDITIONAL AVENUES FOR THOSE FORMS OF EXPRESSION THAT MAY HAVE A “LITTLE MORE EDGE” TO THEM, ALL OF COURSE WITHIN REASON. WE TOTALLY BELIEVE IN SUPPORTING ALL FORMS OF EXPRESSION MANIFESTING ITSELF THROUGH INDIVIDUAL TALENT. THIS IS WHY G.A.M.E. WAS CREATE, THIS GROUP IS AN OUTLET TO SHOWCASE OUR UNDERGROUND RAPPERS VIDEOS AND SELL UNSIGNED ARTISTS UNDERGROUND MUSIC.ALL UNDERGROUND VIDEOS SHOULD BE UPLOADED TO G.A.M.E.–“FOOTWRIGHT’ Scan and watch videos

Did you see our #BAMT2024 announcement last week? Call for Contributions are now open! We look forward to reading your submissions, find all the info you need here: https://rpb.li/eKih1N #MusicTherapy #Conference #Hybrid #Online #Research #Practice #Intersectionality

Music Industry Insights Worldwide Vol 3, Episode 10 is out today. Featuring the awesome Lewamm Ghebremariam. In this episode we discuss all the topics surrounding paving the way for diversity and inclusion in Berlin's cultural landscape . Check out the latest episode below ..... https://lnkd.in/e4EZtrG6 #musicbusiness #musiceducation #culturaldiversity #musicbiz #musiceducation #musicpromotion #musicindustrynews #musicaljourney #equalityforall #diversityequityinclusion #internationalcollaboration #advocates #podcastshow #podcastcommunity #inclusiveleadership #changemakers #ukmusic #europeanmarkets

New Post: Kanye West’s ‘Vultures 1’ Already Has a New Distributor - https://lnkd.in/gwEN9vei - Kanye West and Ty Dolla $ign‘s collaborative album Vultures 1 moved between distribution companies on Thursday (Feb. 15), starting the day with FUGA and then moving over to Label Engine. Label Engine, a distribution company acquired by Create Music Group in 2015, had previously put out the two lead singles from Vultures 1. Confusingly, however, the album then arrived via FUGA. A FUGA spokesperson told Billboard on Thursday that “a long-standing FUGA client delivered the album Vultures 1 through the platform’s automated processes, violating our service agreement.” As a result, the company said it planned “to remove Vultures 1 from our systems.” This created some turbulence for West’s release, which was briefly pulled off Apple Music and iTunes before it reappeared. The album’s new home, Label Engine, was founded by Rich Billis; in 2022, he said that “over 1,500 labels and a total of over 90,000 artists” use his company for distribution. Billis said the company built its client base in part because “we had a very low rate which was 15%, compared to 25% (what a lot of other distributors were charging).” “We also provided free use of all the accounting and promotion tools I had created,” he continued. “That seemed to do very well. We quickly acquired customers and grew quite quickly in the upcoming years. From there, we got purchased by Create Music Group, which was a client of ours for a year or so. That’s when I took over as CTO of Create Music Group.” On Wednesday, Spotify also removed the song “Good (Don’t Die)” from Vultures 1 after Donna Summer‘s estate complained it interpolated the singer’s work without permission, as did Amazon Music and Apple Music later, too. But despite the hiccups around the new album release, listeners continue to seek it out. The song “Carnival” is No. 1 on Spotify’s Daily Top Songs Global chart, picking up nearly 6 million daily streams on the service. “Burn” and “FUK SUMN” are also in the top 20. - #news #business #world -------------------------------------------------- Download: Stupid Simple CMS - https://lnkd.in/g4y9XFgR -------------------------------------------------- or download at SourceForge - https://lnkd.in/gNqB7dnp

“How can the scene become more balanced? Social inequalities, periphery vs center, geographical and economical exclusion" was a key panel discussion organised as part of the Up To Date Festival’s conference "Do we really care? #balance #climatetech #responsibility"🎶 Experts and artists discussed how the artists pondered influences the development of musical careers, access to resources, and chances of success. Among the participants was Jacek Popławski, Strategy & Development Director w Electrum Holding. Jacek Popławski, during the panel discussion, raised significant issues related to combating discrimination and inequalities in the music industry, as well as in the energy industry. He clearly emphasized that society is currently changing its beliefs, taking into account differences such as age, gender, language, and national origin. This conversation highlighted that every region of the world has its own unique values and artistic richness to offer. Supporting cultural projects can contribute to a more equitable future for artists in the music industry. 🎤 We encourage you to rewatch the panel and share your thoughts in the comments 👉 https://bit.ly/3ryJxty #UpToDateFestival #UTDF #Electrum

Reflecting on Today's BBC Radio Panel: Elvis Evolution & The Ethical Dimensions of Music Technology Participated in a BBC Radio panel today discussing 'Elvis Evolution' and its impact on the future of live music. Some key takeaways: Abbatars and Elvis Evolution: We delved into how these projects are pushing the boundaries of live music experiences. Live Music's Unchanging Core: Despite tech advancements, the essence of live music, the audience's experience, remains constant. Employment Shift in Music: The industry's evolution is leading to diverse job roles, from musicians to tech experts. A caller's question particularly struck me: the moral implications of reanimating artists as holograms. Far from an IP rights issue, the caller questioned the ethical aspect of interfering with an artist's afterlife. This brought a fresh perspective to the technology debate, highlighting an aspect often overlooked in our rush towards transhumanism and longevity – how to respect the sacred and elemental. Thanks to BBC Radio for the platform, and a special thanks to Elvis, for sparking such an intriguing observation.https://https://lnkd.in/er-T3XUg #MusicTechnology #EthicsInArt #BBCRadio #ElvisEvolution #Transhumanism

Unusual (and unusually long) post for me here! But something I feel strongly about. Last night, Ezra Collective won the Mercury Music Prize. I got a little choked up hearing them dedicate their win to the youth club where they met, and all the other organisations doing that work. In the early years of my career, when I was running a lot of music and filmmaking workshops, I saw youth centres decimated. One by one, the doors closed on places that had their funding pulled, removing cultural (and sometimes very literal) lifelines from young people who had nowhere else to access that kind of provision. Aside from the many, many wider social benefits that come from youth centres, they are also an essential ingredient for a diverse arts, culture and entertainment scene. They’re often the *only* place young people get a chance to develop their creative talent. Talent which can go on to do incredible things, as we saw last night. Talent which can give those young people (as they become not-so-young people) a place in an industry and an art form they might otherwise never access. And we all benefit from this: audiences, businesses, fellow artists. Without fail. The youth centres which hang on do so in large part because of the incredible generosity, conviction and self-sacrifice of the people (sometimes employees, but - in my experience - more often than not volunteers) who keep the lights on and the schedule full even when the system is working against them. These people are heroes. They shouldn’t have to be, but they are. If we want a healthier and more meaningfully diverse cultural environment, we should celebrate them every chance we get - as Ezra Collective did last night. Whether we’re working in avant-garde fringe art or big entertainment business, an ever-richer cultural ecology is absolutely essential to making the best work possible, in every sense. We should do everything we can to enable their work and the support of youth provision. Thanks for sticking with me on this. Now back to talking about rollercoasters 😎