Adrienne Nรฉlissenโ€™s Post

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Social Media Assistant Manager | Creative Mind | Strategic Thinker

๐Ÿ‘ฉ๐ŸŽจ ๐“๐ก๐ž ๐š๐ซ๐ญ ๐ฏ๐ฌ ๐ญ๐ก๐ž ๐ฆ๐ž๐ฌ๐ฌ๐š๐ ๐ž: ๐ฅ๐ž๐ญ'๐ฌ ๐ญ๐š๐ฅ๐ค ๐š๐›๐จ๐ฎ๐ญ ๐‚๐ก๐š๐ซ๐ฅ๐ž๐ฌ ๐ˆ๐ˆ๐ˆโ€™๐ฌ ๐ฉ๐จ๐ซ๐ญ๐ซ๐š๐ข๐ญ ๐Ÿ’ก The British Royal Family has had its fair share of communication fails lately (a topic for another day, but certainly material for communication studies). Earlier this week, they unveiled the first official portrait of King Charles III, and social media exploded with opinions. ๐Ÿค” ๐’๐จ, ๐ฐ๐ก๐š๐ญ ๐๐จ ๐ฐ๐ž ๐ญ๐ก๐ข๐ง๐ค? There are two voices inside my head: ๐Ÿ’ญAs an art enthusiast, I admire the technic and aesthetic qualities of the painting. It's a stunning piece, resolutely modern, quite unexpected from King Charles. ๐Ÿ’ญ As a communications professional, I can't help but notice that the message conveyed may not be the one intended by the royal family or the artist (at least based on his declarations). ๐€๐ง๐ ๐ญ๐ก๐จ๐ฌ๐ž ๐๐ข๐ฌ๐œ๐จ๐ง๐ง๐ž๐œ๐ญ๐ฌ ๐š๐ซ๐ž ๐ฐ๐ก๐š๐ญ'๐ฌ ๐œ๐ซ๐ž๐š๐ญ๐ข๐ง๐  ๐ง๐จ๐ข๐ฌ๐ž ๐จ๐ง ๐ฌ๐จ๐œ๐ข๐š๐ฅ ๐ฆ๐ž๐๐ข๐š. Plus, let's be honest, people do love to hate the royals. When the artist paints a red background as an extension of the military outfit and a traditional symbol of royalty, people see a bloodbath, a reference to the UK's imperialistic historyโ€ฆ or even satanism. The butterfly, supposed to symbolize monarchy, metamorphosis, and ecological commitment, is interpreted by some as a conspiracy sign. ๐Ÿคทโ™€๏ธ ๐Ÿ‘‰ This clash between original intent and public interpretation shows just how tricky communication can be, even for centuries-old institutions. It's a reminder that you should always consider how people with different backgrounds and cultures might perceive your creative work. This is particularly true in #Luxembourg. ๐๐จ๐ฐ, ๐ญ๐ž๐ฅ๐ฅ ๐ฆ๐ž: ๐ฐ๐ก๐š๐ญ ๐๐จ ๐˜๐Ž๐” ๐ญ๐ก๐ข๐ง๐ค ๐š๐›๐จ๐ฎ๐ญ ๐ญ๐ก๐ข๐ฌ ๐ฉ๐š๐ข๐ง๐ญ๐ข๐ง๐ ? Beautiful, disruptive and modern piece of art? Or literally painting the King in a bad light?

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Adrienne Nรฉlissen

Social Media Assistant Manager | Creative Mind | Strategic Thinker

1mo

Jonathan Yeo explains more about his creative process here: https://www.jonathanyeo.com/king-charles-iii

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Christina Skoti, PMPยฎ

Knowledge Management at Deloitte Luxembourg

1mo

Very interesting post Adrienne Nรฉlissen. I first read the text and then had a closer look at the artwork. Now, I indeed only see blood.

Merima Pecikoza

Assistant Manager at Deloitte Luxembourg I Brand & Content

1mo

Even though I love the red color- i didnt like it at all in this portrait. Looks like he is bathing in blood.

Sarah Bastiรฉ - Torromino

Experte expรฉrience clients / assurance / investissements / marchรฉ de l'art + animatrice "fresque du climat"

4w

Aesthetic, excellent painting technique, quite bold portrait..BUT the predominant red inevitably evokes violent events, blood and may vehicle a quite aggressive message.

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Matthieu Robert

Senior ICT Service Desk & Helpdesk Technician

1mo

Is it fair to duplicate/forward a piece of art without even mentionning the name of the artist?

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