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I've been covering the business of news, information and entertainment in one form or another for more than 10 years. In February 2014, I moved to San Francisco to cover the tech beat. My primary focus is social media and digital media, but I'm interested in other aspects, including but not limited to the sharing economy, lifehacking, fitness & sports tech and the evolving culture of the Bay Area. In past incarnations I've worked at AOL, Conde Nast Portfolio, Radar and WWD. Circle me on Google+, follow me on Twitter or send me tips or ideas at [email protected].

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Tom Freston's $1 Billion Revenge: Ex-Viacom Chief Helps Vice Become the Next MTV

Tom Freston is Vice's growth guru and not-so-secret weapon. Credit: Ben Baker/Redux

This story appeared in the 1/16/12 issue of FORBES.

Shane Smith is trying to order drinks. It’s not going well. “There was a bottle of red wine that’s kind of like a rosé that they chill down,” the CEO and cofounder of Vice Media tells the waitress at a retro-chic Brooklyn cocktail lounge that doubles as his company’s after-hours conference room, his thoughts victim to a boozy, just completed trip to his company’s offices in India, Hong Kong and Japan. “You know what I’m talking about?”

She doesn’t. Eventually, the 41-year-old settles on a Gewürztraminer and a request. “Sometimes they make the little bread into toasts for the caviar,” he says. “We’ll get the caviar with extra crème fraîche and extra onions, and if you can just toast those little bastards, that’d be great.”

It’s an interchange that neatly encapsulates Vice. Just five years ago it was more attitude than real business: basically a free magazine for the tattoo set, where the cure for jet lag and a hangover is another drink. At Vice’s core that drink would be a can of ironically bad beer. But the company has reached a wine-and-caviar plateau: more than 800 full-time employees in 34 countries producing video, books, magazines, live events and music in partnership with some of the world’s biggest companies, including Google and Time Warner. In 2011 it surpassed $100 million in revenue for the first time, according to people with knowledge of the company’s finances. For this year it’s forecasting twice the revenue and 20%-plus margins. If it can hit those numbers, privately held Vice is likely worth $1 billion.

So how did a cadre of Williamsburg hipsters blow off the worst economy for media companies since the Great Depression? Part of it was great instincts. Vice made big bets on original Web video years ahead of giants like Google and Yahoo, which are racing to license as much of it as they can now. Part of it was luck. Who could have foreseen that the neighborhood where Vice set up shop in 1999 would be the taste-making capital of the world a decade later? But the real secret weapon was a seriously connected grayhair, Tom Freston.

The former CEO of Viacom helped create the last great youth media company: As head of marketing for a nascent cable network in the early 1980s, Freston oversaw the creation of the “I Want My MTV” campaign.* For the next quarter-century he was instrumental in turning MTV Networks into Viacom’s cash cow. In 2007 Sumner Redstone rewarded Freston, famously, by firing him, citing his failure to bid successfully for MySpace—a decision that ultimately saved Redstone hundreds of millions of dollars.

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  • The Creators Project is one of the most innovative and refreshing ways to producing content that I’ve seen in quite a long time. Being an independent content creator myself, it is great to know that people still value the ART of creating content and are taking new approaches at exposing, collaborating and promoting great content.

  • yayimwilin yayimwilin 2 years ago

    Williamsburg is the “taste-making capital of the world”? Are you kidding? When I step off the train over there I just see a bunch of posers and middle-class kids seeking attention. Give me a break.
    But Vice has been great!

  • foremski foremski 2 years ago

    Who needs viral videos and social networks to grow a media company when the best network effect is to tap into the Old Boy network.

  • Nathaniel Parish Flannery Nathaniel Parish Flannery, Contributor 2 years ago

    Last year I wrote an article on sponsored content / digital jouranlism after Columbia’s J-School released a report called “The Story So Far”
    http://www.forbes.com/sites/nathanielparishflannery/2011/05/11/the-story-so-far-will-sponsored-content-and-creative-ads-save-digital-journalism/

    I said:
    “While some sites like Newser.com, NYmag.com, and Examiner.com are working to maximize unique page views, the fact is, Google and Facebook have already largely cornered the mass-market. Facebook accounts for a quarter of all ad views. Google brings in almost half of all online ad revenue. Even excluding search ads, Google receives about a tenth of all online banner ad sales. Rather than running the risk of diluting their brand and devaluing their product by resorting to gimmicks like celebrity slideshows, I think news sites should focus on attracting loyal, engaged readers.

    The Story So Far’s authors explain that “the old formula of ‘adjacency’— selling ads and commercials alongside content— is fading.” At the panel discussion, Bill Grueskin, the Dean of Academic Affairs at Columbia’s Journalism School, explained that “online advertising hasn’t changed at all” in the last few years. WSJ.com users still see the same type of in-text advertising they saw ten years ago, he said. Advertising has not yet fully evolved to take advantage of the unique characteristics of digital and mobile platforms.

    In a recent blog piece, Forbes’ Chief Product Officer Lewis Dvorkin explained that “knowledgeable content creators, audience members, and marketers, too, now possess tools to independently produce and distribute text.” Many advertisers are now ready to step beyond the page-view model and start creating content. The Story So Far’s authors explain “media companies should redefine the relationship between audience and advertising.” Companies can follow the example of the Houston Chronicle and draw in revenue from small business owners by helping these business owners create full web-based advertising platforms.

    During a conversation after the panel discussion, Ava Seave, who is a Principal at Quantum Media and an Adjunct Associate Professor at Columbia’s Business School explained that advertiser produced content can be an effective tool “as long as it’s transparent.” Some news groups are already employing sponsored content, a tactic long employed by PBS, where advertisers pay to sponsor a particular channel or feed on a site.”

    The other day I saw some of VICE’s sponsored travel videos. It’s great to see what they are doing.

  • Nathan Brown Nathan Brown 2 years ago

    This is vice.com? I went to their site and it was not what I expected, so just want to make sure.