ArtsBeat Blog
Puppets on Film at BAM
By MEKADO MURPHY
Puppets (and muppets) are the focus of the Puppets on Film series at BAM.
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In “Melancholia” the controversial Danish director Lars von Trier offers his own, highly personal version of apocalypse.
Werner Herzog’s documentary “Into the Abyss” explores murder and the death penalty, and probes the contradictions of the human heart.
“J. Edgar” is less the story of the public face of the F.B.I. than it is a look at the private man.
Puppets (and muppets) are the focus of the Puppets on Film series at BAM.
One day after Eddie Murphy stepped aside as host, the Academy named a replacement who has hosted eight previous Oscar shows, moving quickly to fill a crucial role that was vacated this week.
A retrospective of Robert Gardner’s ethnographic films, spanning nine selections and more than four decades, is at Film Forum.
Sasquatch makes a connection with a woman of the woods in Christopher Munch’s lovely, delightfully idiosyncratic “Letters From the Big Man.”
“Elite Squad: The Enemy Within,” José Padilha’s action thriller, depicts a Brazil writhing with drug violence and corruption.
“The Conquest,” a fictionalized movie of the rise of Nicolas Sarkozy to the French presidency, zeroes in on his struggle for personal power.
In William Monahan’s directorial debut, Colin Farrell plays a bodyguard (to a movie star played by Keira Knightley) whose underworld connections want him back.
Now that Adam Sandler, the star of “Jack and Jill,” has settled into grumpy middle age, his comedy shows signs of curdling.
In “Immortals,” gods and men act very, very badly.
The concert film “Inni” showcases the ethereal Icelandic band Sigur Ros.
It’s been seven years since Alexander Payne’s last film, “Sideways.” Now he brings to the screen “The Descendants,” starring George Clooney.
A two-day show in Los Angeles will feature nearly a dozen short works by the filmmaker Ernie Gehr.
The actor Paddy Considine drew on elements of his own upbringing for “Tyrannosaur,” his stark directing debut, starring Peter Mullan and Olivia Colman.
A film goddess’s strap is enshrined once again in film in “My Week With Marilyn,” about the making of “The Prince and the Showgirl,” starring Marilyn Monroe and Laurence Olivier.
A set from TCM gathers four overlooked comedies of the leading lady Jean Arthur.
The actor leaves his role in the White House to play Kumar and to work in Hollywood.
An advance screening of “The New Promised Land: Silicon Valley” has spurred activity on blogs and social networks even before the documentary’s premiere on Sunday night.
In an effort to make owning more compelling than renting, big movie studios are backing a free service that will allow people to buy a film once and watch it on any device.
The pileup of offerings between Dec. 21 and Christmas Day includes six movies from five studios, with a total production and marketing cost approaching $1 billion.
Brian Grazer will produce next year’s Oscar show, after the sudden departures of the ceremony’s co-producer, Brett Ratner, and its host, Eddie Murphy.
The director of “Into the Abyss” opposes the death penalty, even if he almost killed Klaus Kinski.
"Ra.One," reportedly the most expensive Hindi movie ever made, has a bankable movie star, sterling visual effects and thrilling action sequences. All it's missing is a heart.
The French actress stays true to her style to enchant film audiences and the fashion set.
Rampling muses on her half century of life as a style icon.
Brett Ratner abruptly left following a firestorm over his use of a gay slur and his sex talk on Howard Stern’s radio show.
Leonardo DiCaprio spends most of his screen time in Clint Eastwood’s “J. Edgar” sweating and sneering, looking unhandsome and unheroic.
For decades, directors, writers, artists and animators made movies that were near Hollywood but not of it.
Christopher Munch’s film “Letters From the Big Man” is a fable about a lonely hydrologist (Lily Rabe) in the Pacific Northwest who encounters the sasquatch.
With his first movie in 3-D, the famed director goes on yet another cinematic adventure.
A look back at some of the notable films from Leonardo DiCaprio’s 20-year film career.
Steven Spielberg, Charlize Theron, breakthrough performances and more about this season's new films.
From 1999 to 2004, Alexander Payne wrote and directed three feature films. But it took him seven years to get his next movie, “The Descendants,” to the big screen.
Images from the Alternative Projections series, which shows the avant-garde side of film in Los Angeles.
Drake Doremus, the director of “Like Crazy,” talks about crafting his film.
In this series, directors discuss ideas and techniques behind moments in their films.
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Manohla Dargis and A. O. Scott, the co-chief film critics of The New York Times, are answering your questions. Do you have one for them? Please write to them at [email protected].
This guide includes links to the original reviews from the archives of The New York Times.
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$75.5 M | ||
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$70.2 M |