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{{For|Sullivan's earlier Te Deum|Festival Te Deum}}
{{Use dmy dates|date=April 2022}}
[[Image:Boer tedeum score.jpg|right|thumb|250px|Cover of the vocal score]]
[[Image:Boer tedeum score.jpg|right|thumb|250px|Cover of the vocal score]]
[[Arthur Sullivan]]'s '''''Te Deum Laudamus—A Thanksgiving for Victory''''', usually known as the '''''Boer War Te Deum''''', is a choral work composed by Sullivan in the last few months of his life. It was commissioned on behalf of Dean and Chapter of London's [[St. Paul's Cathedral]] by the cathedral's organist, Sir George Martin, as part of a grand service to celebrate the coming [[Great Britain|British]] victory in the [[Boer War]].<ref name=Discography1>[http://www.cris.com/~oakapple/gasdisc/sullchoral-kenil.htm Information from the G&S Discography]</ref>
[[Arthur Sullivan]]'s '''''Te Deum Laudamus—A Thanksgiving for Victory''''', usually known as the '''''Boer War Te Deum''''', is a choral work composed by Sullivan in the last few months of his life. It was commissioned on behalf of Dean and Chapter of London's [[St. Paul's Cathedral]] by the cathedral's organist, Sir [[George Martin (organist)|George Martin]], as part of a grand service to celebrate the expected [[Great Britain|British]] victory in the [[Second Boer War]].<ref name=Discography1>[http://www.cris.com/~oakapple/gasdisc/sullchoral-kenil.htm Information from the G&S Discography] {{Webarchive|url=https://web.archive.org/web/20080516075225/http://www.cris.com/~oakapple/gasdisc/sullchoral-kenil.htm |date=2008-05-16 }}</ref>


The ''Boer War Te Deum'' was first performed at St. Paul's Cathedral on [[June 8]] [[1902]], eight days after the official ending of the war, and 18 months after the deaths of both Sullivan and [[Queen Victoria]].<ref name=Archive>[http://math.boisestate.edu/GaS/other_sullivan/boer/tedeum.html Information on the piece at the G&S archive]</ref> The piece was composed for chorus, brass, strings and organ, and features as a recurring theme the melody of Sullivan's hymn tune "St. Gertrude", his setting for "[[Onward Christian Soldiers]]."<ref name=Analysis>[http://www.sullivan-forschung.de/boerwar.htm Detailed musical analysis of the Te Deum Laudamus and other Sullivan liturgical music]</ref>
The ''Boer War Te Deum'' was first performed at St. Paul's Cathedral on 8 June 1902, eight days after the official ending of the war, and 18 months after the deaths of both Sullivan and [[Queen Victoria]].<ref name=Archive>Howarth, Paul. [https://gsarchive.net/sullivan/boer/tedeum.html "Te Deum Laudamus"], Gilbert and Sullivan Archive, 12 January 2010</ref> The piece was composed for chorus, brass, strings and organ, and features as a recurring theme the melody of Sullivan's [[hymn tune]] "St. Gertrude", his setting for "[[Onward Christian Soldiers]]."<ref name=Analysis>[http://www.sullivan-forschung.de/boerwar.htm Detailed musical analysis of the Te Deum Laudamus and other Sullivan liturgical music] {{Webarchive|url=https://web.archive.org/web/20080309000629/http://www.sullivan-forschung.de/boerwar.htm |date=2008-03-09 }}</ref>


==Background==
==Background==
Arthur Sullivan became Britain's most famous composer during the late [[Victorian era]], and so he was the obvious choice to compose a piece to celebrate the coming end of the Boer War.<ref name=hyperion>[http://www.hyperion-records.co.uk/notes/67423-B.pdf Liner notes analyzing and describing the ''Boer War Te Deum'' and Sullivan's ''The Prodigal Son'']</ref> George Martin and Colonel [[Arthur Collins]] visited Sullivan in his home on [[May 26]] [[1900]] to ask him to write the ''Te Deum''. Sullivan wrote in his diary that he consented to try and see what he could do.<ref name=hyperion/>
Arthur Sullivan became Britain's most famous composer during the late [[Victorian era]], and so he was an obvious choice to compose a piece to celebrate the coming end of the [[Second Boer War]].<ref name=hyperion>[http://www.hyperion-records.co.uk/notes/67423-B.pdf Liner notes analyzing and describing the ''Boer War Te Deum'' and Sullivan's ''The Prodigal Son'']</ref> George Martin and [[Arthur Collins (courtier)|Colonel Arthur Collins]] visited Sullivan in his home on May 26, 1900, to ask him to write the ''Te Deum''. Sullivan wrote in his diary that he consented to try and see what he could do.<ref name=hyperion/>


Sullivan encountered some delays in the course of composing the Te Deum, including a difficult trip to Germany in June 1900. Despite Sullivan's fame and popularity in Germany, the country's attitude toward the Boer War dampened Sullivan's reception. In addition, Sullivan had already committed to working on the [[comic opera]] ''[[The Emerald Isle]]'' for the [[Savoy Theatre]] and was forced to put it aside to work on the ''Te Deum''. Sullivan noted in his diary in July 1900 that he was essentially finished with the ''Te Deum''. Soon afterwards, he grew ill, and in October he gave Martin final instructions about staging the work.<ref name=hyperion/> Sullivan died in November, before he could complete ''The Emerald Isle'', leaving that opera to be finished by his friend [[Edward German]].<ref>[http://math.boisestate.edu/GaS/other_sullivan/emerald_isle/emerald_intro.html Information about ''The Emerald Isle'']</ref>
Sullivan encountered some delays in the course of composing the ''Te Deum'', including a difficult trip to Germany in June 1900. Despite Sullivan's fame and popularity in Germany, the country's attitude toward the Boer War dampened Sullivan's reception. In addition, Sullivan had already committed to working on the [[comic opera]] ''[[The Emerald Isle]]'' for the [[Savoy Theatre]] and was forced to put it aside to work on the ''Te Deum''. Sullivan noted in his diary in July 1900 that he was essentially finished with the ''Te Deum''. Soon afterwards, he grew ill, and in October he gave Martin final instructions about staging the work.<ref name=hyperion/> Sullivan died in November, before he could complete ''The Emerald Isle'', leaving that opera to be finished by his friend [[Edward German]].<ref>Coles, Clifton. [https://gsarchive.net/sullivan/emerald_isle/emerald_intro.html ''The Emerald Isle: Introduction"], Gilbert and Sullivan Archive, 8 October 2004</ref>


The ''Te Deum'' premiered as part of a larger service celebrating the end of the Boer War. [[King Edward VII|King Edward]] and other members of the Royal family were in attendance. The King and Queen entered the Cathedral to Sullivan's hymn ''[[Onward Christian Soldiers]]''.<ref name=hyperion/>
The ''Te Deum'' finally premiered 18 months after Sullivan's death at St. Paul's Cathedral on 8 June 1902 as part of a larger service celebrating the end of the Second Boer War. [[King Edward VII|King Edward]] and other members of the royal family were in attendance. The King and Queen entered the cathedral to Sullivan's hymn ''[[Onward Christian Soldiers]]''.<ref name=hyperion/><ref name=Archive/>


==Analysis and criticism==
==Analysis and criticism==
[[Image:St Pauls Cathedral in 1896.JPG|right|thumb|350px|[[St. Paul's Cathedral]], where the work premiered and where Sullivan is buried, by order of [[Queen Victoria]]]]
The ''Boer War Te Deum'' was Sullivan's last completed major work.<ref name=Archive/> The text is scriptural, showing Sullivan's "personal Christian commitment" at the end of his life.<ref name=Discography1/> In addition, his use of his popular hymn tune, "St. Gertrude," throughout the Te Deum is a prominent self-reference that Sullivan allowed himself only on this occasion, at the very end of his career, in this very personal celebration of himself and his love of his church and country.<ref name=hyperion/><ref name=Analysis/> Benedict Taylor wrote that unlike Sullivan's earlier ''[[Festival Te Deum]]'',
The ''Boer War Te Deum'' was Sullivan's last-completed major work.<ref name=Archive/> The text is the ancient Christian hymn as translated in the [[Book of Common Prayer]], showing Sullivan's "personal Christian commitment" at the end of his life.<ref name=Discography1/> In addition, his use of his popular hymn tune, "St. Gertrude," throughout the ''Te Deum'' is the most prominent self-reference that Sullivan allowed himself in his career, underlining the very personal nature of this final work and his love of his church and country.<ref name=hyperion/><ref name=Analysis/> Benedict Taylor wrote that unlike Sullivan's earlier ''[[Festival Te Deum]]'',


:"the work is relatively subdued, more self-effacing, concise and emotionally subtly-tinged.... A compact, single movement work of about a quarter-of-an-hour’s duration... [its] musical sections corresponding to the traditional divisions of the liturgical text run into one another without break. A degree of unity across the sectional, evolving structure is provided by cyclic features... and the use of common or related material for successive sections.... Of possibly even greater structural cohesion is the pervasiveness of march-like figures throughout the work, principally rhythmic but often also employing repeated notes or arpeggiac figures characteristic of the hymn tune 'St Gertrude'.... It is a work whose grandeur and restrained dignity have made it cherished and esteemed...."<ref name=Analysis/>
<blockquote>the work is relatively subdued, more self-effacing, concise and emotionally subtly-tinged.... A compact, single movement work of about a quarter-of-an-hour's duration... [its] musical sections corresponding to the traditional divisions of the liturgical text run into one another without break. A degree of unity across the sectional, evolving structure is provided by cyclic features... and the use of common or related material for successive sections.... Of possibly even greater structural cohesion is the pervasiveness of march-like figures throughout the work, principally rhythmic but often also employing repeated notes or arpeggiac figures characteristic of the hymn tune 'St Gertrude'.... It is a work whose grandeur and restrained dignity have made it cherished and esteemed....<ref name=Analysis/></blockquote>


Contemporary critics also reviewed the piece favourably. ''The Daily Telegraph'' wrote, "Then the Service reached its central episode with the ''Te Deum'' sung to Sir Arthur Sullivan’s music, deprived, through the absence of strings, of its full orchestral beauty, but wrought up from exquisite tenderness to a pitch of dignity and strength."<ref name=hyperion/> Note the reference in the previous quote to the absence of strings: The cathedral was unable to procure a suitable string section, and so the ''Te Deum'' was premiered without strings.<ref name=hyperion/> ''The Musical Times'' was also favourably impressed by the piece:
[[Image:St Paul's Cathedral in 1896.JPG|right|thumb|350px|[[St. Paul's Cathedral]], where the work premiered and where Sullivan is buried, by order of [[Queen Victoria]]]]
<blockquote>In every page of the score we can trace the hand of the skilled musician, once a Chorister of the Chapel Royal. Moreover the work is impregnated with a robustness distinctly national in the directness of its diatonic expression. The introduction of the composer's familiar hymn tune 'Onward Christian Soldiers' — first in fragments and afterwards in its entirety — infuses a military element into this Thanksgiving Te Deum, the significance of which is obvious.<ref name=Archive/></blockquote>
Contemporary critics also reviewed the piece favorably. ''The Daily Telegraph'' wrote:
:"Then the Service reached its central episode with the ''Te Deum'' sung to Sir Arthur Sullivan’s music, deprived, through the absence of strings, of its full orchestral beauty, but wrought up from exquisite tenderness to a pitch of dignity and strength."<ref name=hyperion/>

Note the reference in the previous quote to the absence of strings: The cathedral was unable to procure a suitable string section, and so the ''Te Deum'' was premiered without strings.<ref name=hyperion/> An article in ''The Musical Times'' was also favourably impressed by the piece:
:"In every page of the score we can trace the hand of the skilled musician, once a Chorister of the Chapel Royal. Moreover the work is impregnated with a robustness distinctly national in the directness of its diatonic expression. The introduction of the composer's familiar hymn tune 'Onward Christian Soldiers' — first in fragments and afterwards in its entirety — infuses a military element into this Thanksgiving Te Deum, the significance of which is obvious."<ref name=Archive/>


==Recordings==
==Recordings==
The entire work appears on ''That Glorious Song of Old'' (1992), conducted by Paul Trepte, but without a full orchestra.<ref>[http://www.cris.com/~oakapple/gasdisc/sullvocal-glorious.htm Description of ''That Glorious Song of Old'']</ref>
The entire work appears on ''That Glorious Song of Old'' (1992), conducted by Paul Trepte, but without a full orchestra.<ref>[http://www.cris.com/~oakapple/gasdisc/sullvocal-glorious.htm Description of ''That Glorious Song of Old''] {{Webarchive|url=https://web.archive.org/web/20080517012148/http://www.cris.com/~oakapple/gasdisc/sullvocal-glorious.htm |date=2008-05-17 }}</ref>


A complete recording with full orchestra appears on ''The Masque at Kenilworth — Music for Royal and National Occasions'' (1999), conducted by Michael Smedley.<ref name=Discography1/>
A complete recording with full orchestra appears on ''The Masque at Kenilworth — Music for Royal and National Occasions'' (1999), conducted by Michael Smedley.<ref name=Discography1/>


A complete recording was released on CD in 2003 by Hyperion, paired with Sullivan's [[cantata]] ''[[The Prodigal Son (Sullivan)|The Prodigal Son]]''. The recording features the New London Orchestra and the London Chorus, conducted by Ronald Corp.<ref>[http://www.hyperion-records.co.uk/details/67423.asp Details of the Hyperion recording]</ref>
A complete recording was released on CD in 2003 by Hyperion, paired with Sullivan's [[cantata]] ''[[The Prodigal Son (Sullivan)|The Prodigal Son]]''. The recording features the New London Orchestra and the London Chorus, conducted by Ronald Corp.<ref>[http://www.hyperion-records.co.uk/details/67423.asp Details of the Hyperion recording]</ref>


==Text==
==Text==
[[Image: Memorial To Sir Arthur Sullivan.jpg|thumb|250px|right|Memorial to Sir Arthur Sullivan [[Victoria Embankment]] Gardens London]]
[[Image: Memorial To Sir Arthur Sullivan.jpg|thumb|250px|right|Memorial to Sir Arthur Sullivan, [[Victoria Embankment]] Gardens London]]
<blockquote><poem>
:The text of the ''Boer War Te Deum'' is as follows:
The text of the ''Boer War Te Deum'' is as follows:
:We praise Thee, O God: we acknowledge Thee to be the Lord.
:All the earth doth worship Thee: the Father everlasting.
:To Thee all Angels cry aloud: the Heavens, and all the Powers therein.
:To Thee Cherubin, and Seraphin: continually do cry,
:Holy, Holy, Holy: Lord God of Sabaoth;
:Heaven and earth are full of the Majesty: of Thy Glory.


We praise Thee, O God: we acknowledge Thee to be the Lord.
:The glorious company of the Apostles praise Thee.
All the earth doth worship Thee: the Father everlasting.
:The noble army of Martyrs: praise Thee.
To Thee all Angels cry aloud: the Heavens, and all the Powers therein.
:The holy Church throughout all the world: doth acknowledge Thee;
To Thee Cherubin, and Seraphin: continually do cry,
:The Father: of an infinite Majesty;
Holy, Holy, Holy: Lord God of Sabaoth;
:Thine honourable, true: and only Son.
Heaven and earth are full of the Majesty: of Thy Glory.
:Also the Holy Ghost: the Comforter.
:Thou art the King of Glory: O Christ.
:Thou art the everlasting Son: of the Father.


The glorious company of the Apostles praise Thee.
:When Thou tookest upon Thee to deliver man: Thou didst not abhor the Virgin's womb.
The noble army of Martyrs: praise Thee.
:When Thou hadst overcome the sharpness of death: Thou didst open the Kingdom of Heaven to all believers.
The holy Church throughout all the world: doth acknowledge Thee;
:Thou sittest at the right hand of God: in the Glory of the Father.
The Father: of an infinite Majesty;
Thine honourable, true: and only Son.
Also the Holy Ghost: the Comforter.
Thou art the King of Glory: O Christ.
Thou art the everlasting Son: of the Father.


When Thou tookest upon Thee to deliver man: Thou didst not abhor the Virgin's womb.
:We believe that Thou shalt come: to be our Judge.
When Thou hadst overcome the sharpness of death: Thou didst open the Kingdom of Heaven to all believers.
:We therefore pray Thee, help Thy servants: whom Thou hast redeemed with Thy precious blood.
Thou sittest at the right hand of God: in the Glory of the Father.
:Make them to be numbered with Thy Saints: in glory everlasting.
:O Lord, save Thy people: and bless Thine heritage.
:Govern them: and lift them up for ever.


We believe that Thou shalt come: to be our Judge.
:Day by day: we magnify Thee;
We therefore pray Thee, help Thy servants: whom Thou hast redeemed with Thy precious blood.
:And we worship Thy Name: ever world without end.
Make them to be numbered with Thy Saints: in glory everlasting.
:Vouchsafe, O Lord: to keep us this day without sin.
:O Lord, have mercy upon us: have mercy upon us.
O Lord, save Thy people: and bless Thine heritage.
Govern them: and lift them up for ever.
:O Lord, let Thy mercy lighten upon us: as our trust is in Thee.

:O Lord, in Thee have I trusted: let me never be confounded.
Day by day: we magnify Thee;
And we worship Thy Name: ever world without end.
Vouchsafe, O Lord: to keep us this day without sin.
O Lord, have mercy upon us: have mercy upon us.
O Lord, let Thy mercy lighten upon us: as our trust is in Thee.
O Lord, in Thee have I trusted: let me never be confounded.
</poem></blockquote>


==Notes==
==Notes==
Line 70: Line 72:


==References==
==References==
*Silverman, Richard. "The Singularity of the Boer War Te Deum", ''Sir Arthur Sullivan Society Magazine'', 50 (Summer 2000), pp. 6-8.
*Silverman, Richard. "The Singularity of the Boer War Te Deum", ''Sir Arthur Sullivan Society Magazine'', 50 (Summer 2000), pp.&nbsp;6–8.
*''The Musical Times'', [[1 July]] [[1902]], reprinted in ''Sir Arthur Sullivan Society Centenary Booklet'' p. 497.
*''The Musical Times'', 1 July 1902, reprinted in ''Sir Arthur Sullivan Society Centenary Booklet'' p.&nbsp;497.


==External links==
==External links==
*[https://gsarchive.net/sullivan/boer/times.html Review in ''The Times'', 9 June 1902]
*[http://query.nytimes.com/gst/abstract.html?res=9D02E3DB1330E733A2575AC0A9609C946397D6CF New York Times account of the Thanksgiving service which featured the Te Deum.]
*[https://query.nytimes.com/gst/abstract.html?res=9D02E3DB1330E733A2575AC0A9609C946397D6CF ''The New York Times'' account of the Thanksgiving service that featured the 'Te Deum'.]
*[http://www.britnett.net/sirarthursullivansociety/listings/24.html Facsimile full score with an illustrated background essay] from the Sir Arthur Sullivan Society

{{Gilbert and Sullivan}}


[[Category:Compositions by Arthur Sullivan]]
[[Category:Compositions by Arthur Sullivan]]
[[Category:Music for orchestra and organ]]
[[Category:1900 compositions]]
[[Category:Te Deums|Sullivan]]

Latest revision as of 07:40, 1 June 2024

Cover of the vocal score

Arthur Sullivan's Te Deum Laudamus—A Thanksgiving for Victory, usually known as the Boer War Te Deum, is a choral work composed by Sullivan in the last few months of his life. It was commissioned on behalf of Dean and Chapter of London's St. Paul's Cathedral by the cathedral's organist, Sir George Martin, as part of a grand service to celebrate the expected British victory in the Second Boer War.[1]

The Boer War Te Deum was first performed at St. Paul's Cathedral on 8 June 1902, eight days after the official ending of the war, and 18 months after the deaths of both Sullivan and Queen Victoria.[2] The piece was composed for chorus, brass, strings and organ, and features as a recurring theme the melody of Sullivan's hymn tune "St. Gertrude", his setting for "Onward Christian Soldiers."[3]

Background[edit]

Arthur Sullivan became Britain's most famous composer during the late Victorian era, and so he was an obvious choice to compose a piece to celebrate the coming end of the Second Boer War.[4] George Martin and Colonel Arthur Collins visited Sullivan in his home on May 26, 1900, to ask him to write the Te Deum. Sullivan wrote in his diary that he consented to try and see what he could do.[4]

Sullivan encountered some delays in the course of composing the Te Deum, including a difficult trip to Germany in June 1900. Despite Sullivan's fame and popularity in Germany, the country's attitude toward the Boer War dampened Sullivan's reception. In addition, Sullivan had already committed to working on the comic opera The Emerald Isle for the Savoy Theatre and was forced to put it aside to work on the Te Deum. Sullivan noted in his diary in July 1900 that he was essentially finished with the Te Deum. Soon afterwards, he grew ill, and in October he gave Martin final instructions about staging the work.[4] Sullivan died in November, before he could complete The Emerald Isle, leaving that opera to be finished by his friend Edward German.[5]

The Te Deum finally premiered 18 months after Sullivan's death at St. Paul's Cathedral on 8 June 1902 as part of a larger service celebrating the end of the Second Boer War. King Edward and other members of the royal family were in attendance. The King and Queen entered the cathedral to Sullivan's hymn Onward Christian Soldiers.[4][2]

Analysis and criticism[edit]

St. Paul's Cathedral, where the work premiered and where Sullivan is buried, by order of Queen Victoria

The Boer War Te Deum was Sullivan's last-completed major work.[2] The text is the ancient Christian hymn as translated in the Book of Common Prayer, showing Sullivan's "personal Christian commitment" at the end of his life.[1] In addition, his use of his popular hymn tune, "St. Gertrude," throughout the Te Deum is the most prominent self-reference that Sullivan allowed himself in his career, underlining the very personal nature of this final work and his love of his church and country.[4][3] Benedict Taylor wrote that unlike Sullivan's earlier Festival Te Deum,

the work is relatively subdued, more self-effacing, concise and emotionally subtly-tinged.... A compact, single movement work of about a quarter-of-an-hour's duration... [its] musical sections corresponding to the traditional divisions of the liturgical text run into one another without break. A degree of unity across the sectional, evolving structure is provided by cyclic features... and the use of common or related material for successive sections.... Of possibly even greater structural cohesion is the pervasiveness of march-like figures throughout the work, principally rhythmic but often also employing repeated notes or arpeggiac figures characteristic of the hymn tune 'St Gertrude'.... It is a work whose grandeur and restrained dignity have made it cherished and esteemed....[3]

Contemporary critics also reviewed the piece favourably. The Daily Telegraph wrote, "Then the Service reached its central episode with the Te Deum sung to Sir Arthur Sullivan’s music, deprived, through the absence of strings, of its full orchestral beauty, but wrought up from exquisite tenderness to a pitch of dignity and strength."[4] Note the reference in the previous quote to the absence of strings: The cathedral was unable to procure a suitable string section, and so the Te Deum was premiered without strings.[4] The Musical Times was also favourably impressed by the piece:

In every page of the score we can trace the hand of the skilled musician, once a Chorister of the Chapel Royal. Moreover the work is impregnated with a robustness distinctly national in the directness of its diatonic expression. The introduction of the composer's familiar hymn tune 'Onward Christian Soldiers' — first in fragments and afterwards in its entirety — infuses a military element into this Thanksgiving Te Deum, the significance of which is obvious.[2]

Recordings[edit]

The entire work appears on That Glorious Song of Old (1992), conducted by Paul Trepte, but without a full orchestra.[6]

A complete recording with full orchestra appears on The Masque at Kenilworth — Music for Royal and National Occasions (1999), conducted by Michael Smedley.[1]

A complete recording was released on CD in 2003 by Hyperion, paired with Sullivan's cantata The Prodigal Son. The recording features the New London Orchestra and the London Chorus, conducted by Ronald Corp.[7]

Text[edit]

Memorial to Sir Arthur Sullivan, Victoria Embankment Gardens London

The text of the Boer War Te Deum is as follows:

We praise Thee, O God: we acknowledge Thee to be the Lord.
All the earth doth worship Thee: the Father everlasting.
To Thee all Angels cry aloud: the Heavens, and all the Powers therein.
To Thee Cherubin, and Seraphin: continually do cry,
Holy, Holy, Holy: Lord God of Sabaoth;
Heaven and earth are full of the Majesty: of Thy Glory.

The glorious company of the Apostles praise Thee.
The noble army of Martyrs: praise Thee.
The holy Church throughout all the world: doth acknowledge Thee;
The Father: of an infinite Majesty;
Thine honourable, true: and only Son.
Also the Holy Ghost: the Comforter.
Thou art the King of Glory: O Christ.
Thou art the everlasting Son: of the Father.

When Thou tookest upon Thee to deliver man: Thou didst not abhor the Virgin's womb.
When Thou hadst overcome the sharpness of death: Thou didst open the Kingdom of Heaven to all believers.
Thou sittest at the right hand of God: in the Glory of the Father.

We believe that Thou shalt come: to be our Judge.
We therefore pray Thee, help Thy servants: whom Thou hast redeemed with Thy precious blood.
Make them to be numbered with Thy Saints: in glory everlasting.
O Lord, save Thy people: and bless Thine heritage.
Govern them: and lift them up for ever.

Day by day: we magnify Thee;
And we worship Thy Name: ever world without end.
Vouchsafe, O Lord: to keep us this day without sin.
O Lord, have mercy upon us: have mercy upon us.
O Lord, let Thy mercy lighten upon us: as our trust is in Thee.
O Lord, in Thee have I trusted: let me never be confounded.

Notes[edit]

References[edit]

  • Silverman, Richard. "The Singularity of the Boer War Te Deum", Sir Arthur Sullivan Society Magazine, 50 (Summer 2000), pp. 6–8.
  • The Musical Times, 1 July 1902, reprinted in Sir Arthur Sullivan Society Centenary Booklet p. 497.

External links[edit]