Art Workers' Guild: Difference between revisions

Art Workers' Guild
Abbreviation	AWG
Formation	1884; 140 years ago
Type	Arts organisation
Legal status	Registered charity
Purpose	To Advance Education In All The Visual Arts And Crafts
Headquarters	6 Queen Square, London, WC1N 3AT
Region served	Predominantly UK
Membership	350
Master	Tracey Sheppard
Website	http://www.artworkersguild.org

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The Art Workers' Guild is an organisation established in 1884 by a group of British painters, sculptors, architects, and designers associated with the ideas of William Morris and the Arts and Crafts movement.^[2]^[3] The guild promoted the 'unity of all the arts', denying the distinction between fine and applied art.^[4]^[5] It opposed the professionalisation of architecture – which was promoted by the Royal Institute of British Architects at this time – in the belief that this would inhibit design.^[6]^[7]^[8] In his 1998 book, Introduction to Victorian Style, University of Brighton's David Crowley stated the guild was "the conscientious core of the Arts and Crafts Movement".^[9]

History[edit]

The guild was not the first organisation to promote the unity of the arts. Two organisations, the Fifteen and St George's Art Society had existed previously,^[4] and the guild's founders came from the St George's Art Society.^[4] They were five young architects from Norman Shaw's office: W. R. Lethaby, Edward Prior, Ernest Newton, Mervyn Macartney and Gerald C. Horsley, plus metal worker W. A. S. Benson, designer Heywood Sumner, painter C. H. H. Macartney, sculptors Hamo Thornycroft and Edward Onslow Ford,^[10] and the architect John Belcher.^[11]^[12]^[4] The motive for the guild's creation was the summer exhibition in 1883 at the Royal Academy of Arts, where the "mother of arts" were snubbed to two side walls in one gallery.^[13] Edward Prior wrote in November 1883,

Painters, Sculptors, and Architects are in danger of settling permanently into three distinct professions, oblivious of one another's aims. A Society is wanted to restore their former union with one another with a programme of cohesion such as the Royal Academy hardly now suggests, and which the Institute of British Architects has deliberately rejected.

Others were soon invited to join, including Fifteen members Lewis Foreman Day, George Blackall Simonds and J. D. Sedding, as well as architects Somers Clarke, John Thomas Micklethwaite, W. C. Marshall, Basil Champneys; painters Herbert Gustave Schmalz, Alfred Parsons, John McLure Hamilton, William R. Symonds and etcher Theodore Blake Wirgman.^[4] The first meeting took place on 18 January 1884 at Charing Cross Hotel with Belcher as chair, and after some debate agreed they would invite others "for promoting greater intercourse among the Arts". Several names were proposed, including Guild of Art by Benson, Guild of Associated Arts, Guild of Art Workers, The Art Workers and the Society of Art Workers. Prior combined the name ideas and put forward the Art Workers' Guild and wrote the Guilds prospectus.^[13] The name and prospectus was agreed and the guild was formally created on 11 March and by its first formal annual meeting on 5 December 1884 it had grown to 56 members.^[4] The guild was based on the medieval trade guilds, with members called Brothers and its head called Master.^[14] Its first master was the sculptor, George Blackall Simonds.^[15] In 1885, Walter Crane reiterated the guild's worries to the Fabian Society,^[7]

Artistic expression had only reached its noblest and most beautiful results under collective condition of the arts, at all events when all art was decorative, and all were allied to architecture.

The guild organised talks, lectures, demonstrations and meetings to bring unity of the arts to its members including guest speakers such as Lucien Pissarro in 1891.^[16] Sir Edwin Lutyens was first invited as a guest in 1892 and recalled:^[17]

then, no one knew me and those few that did patronised or snubbed me

but he joined later and admired the freedom to argue passionately and:

the way those fellows lay into each other

By 1895 the guild had 195 members and included such luminaries as William Morris and Thomas Graham Jackson.^[18] At that year's annual general meeting, the elected Master Heywood Sumner declared to the members:^[19]

the authorities are beginning to recognise that if you want a good man for a public post connected with the Arts, the Art Workers' Guild is the place to come for that purpose.

This comment was confirmed in 1900 when the government recruited guild members Thomas Graham Jackson, William Blake Richmond, Edward Onslow Ford, and Walter Crane to the Council for Advice on Art, and they reorganised the Royal College of Art in line with Art Workers' Guild ideals.^[4] Under Graham Jacksons' time as Master, the Guildsmen were looking at the purpose of the guild. Many, including Morris wanted the guild to be a more active force and put forward a Councillor to the London County Council to advise on the protection of historical buildings and advocate craftsmanship.^[20] However Graham Jackson was against politics and declared the guild should not be:^[20]

departing from the old lines on which it had advanced to its present position of usefulness and success

Graham Jackson decided training the next generation of artists was more important and created the Art Student Guild, which would go onto become the Junior Guild.^[20] The Junior Guild was not a great success and by 1928 was confirmed by members that it had outlived its purpose. However, Masters H. M. Fletcher and Basil Oliver had come through the junior guild.^[20]

In 1902, on retiring from the Master's position, George Frampton stressed that only properly qualified candidates should be elected to the guild, and in 1905 the membership election system was amended.^[21] By this time the membership had grown to 235. Frampton had also recommended that the guild set up a benevolent fund for hard up members,^[2] which became known as the Guild Chest.^[22] However Frampton caused controversy in 1915, calling for Karl Krall, a German-born member, to have his membership revoked due to his nationality during World War I. The guild voted by a one-vote majority to allow Krall to keep his membership, so Frampton resigned. Krall was so upset by the debates that led to the vote that he also resigned and asked that he never be contacted by the guild again.^[23]

During World War II the guild's income dropped considerably, however they remained solvent under the "zealous guardianship of the funds" of honorary treasurer Laurence Arthur Turner.^[21] In 1945, the War Memorial Advisory Committee asked the guild for its ideas on war memorials, to which the guild responded by deploring mass-produced war memorials and advising on well designed carved inscriptions on the walls of the church cut by individual craftsmen.^[21]

The Art Workers Guild gave rise to many offshoots, including the Birmingham, Liverpool,^[24] the Northern Art Workers' Guild in Manchester,^[25] the Edinburgh Art Workers' Guild and the Junior Art Workers' Guild but the biggest was the Arts and Crafts Exhibition Society.^[11]^[19] There was even a guild set up in Philadelphia.^[26] The guild began as a male-only organisation, leading May Morris to start the Women’s Guild of Arts in 1907 as an alternative for women.^[27] In 1914 the women's guild was allowed to use the meeting hall at Queens Square, but they were not allowed to have their roll call on the walls.^[28] There was great discussion between members about letting in women with Hamilton T. Smith writing to Arthur Llewellyn Smith in 1958 stated:^[28]

Ladies. My instinct is against this proposal but I don't know that I feel strong enough to fight it very hard

In the 1959 Annual Report, it stated that it was "discussed at length but not put to the vote, it being felt that so revolutionary a proposal needed further careful discussion".^[28] Further discussions occurred over the next few years, and in 1962 past master Brian Thomas asked:^[28]

whether there was any evidence that women wanted to join the guild

It was not until 1964 that the brothers, at a special meeting, agreed to admit women to the guild.^[28] The first women to join was the wood engraver Joan Hassall who became the first female Master in 1972.^[29] In 1949, the members of the Junior Art Workers' Guild were invited to join the guild after their organisation closed down.^[21]

In 1985, a centenary exhibition was held at the Brighton Museum and Art Gallery. In a review of the exhibition by Colin Amery in The Burlington Magazine, Amery stated that the exhibition showed "the current Guildsmen work did not have the weight and quality to carry hope of a new spring".^[30]

The guild's home[edit]

The guild held its meetings initially in rented space. Between 1884 and 1888, it used the Century Club's rooms at 6 Pall Mall Place in Pall Mall, London,^[31] from 1888 to 1894 it used Barnard's Inn, Holborn and then between 1894 and 1914 they used Clifford's Inn.^[4] In 1914, the lease on Clifford's Inn was to end and the organisation was looking for a new home. The Central School of Art and Design was offered as temporary accommodation by London County Council, with negotiations being held by F. V. Burridge, the college's principal.^[21]^[32]

However, the architects Arnold Dunbar Smith and Cecil Claude Brewer had an office in the front of the early Georgian house at 6 Queen Square, Bloomsbury and, when they heard that the freehold was for sale, encouraged the guild to buy it.^[12] The back part of the building was reconstructed as a meeting hall, designed by Francis William Troup and inaugurated on 22 April 1914.^[33]^[34] At the opening, Master Harold Speed said to his fellow Brothers that he knew they would miss,^[28]

the picturesque and loveable old hall and Inn

but encouraged them to enjoy

the satisfaction of being our own masters in our own home, and shall doubtless accumulate in the future, traditions and properties in Queen Square, which will render the new home even dearer and more interesting to us than the old

The hall was furnished with rush-seated chairs made in Herefordshire by Philip Clissett and his grandsons between 1888 and 1914,^[35] and afterwards copied by Ernest Gimson and his successors. The Master sits in a seat designed by Lethaby and a table by Benson.^[28] The names of all members up to the year 2000 are painted on a frieze around the walls of the Hall.^[28] The list of names now continues in the front room known as the ‘Master’s Room’.^{[citation needed]} In 2017 the building was modernised under the direction of Simon Hurst, the honorary architect of the guild.^[36] The building contains portraits of every Master since 1884.^[37]^[38]

The guild rents space to the British Society of Master Glass Painters at Queen Square. The top two floors are rented as an apartment to designers Ben Pentreath and Charlie McCormick.^[39]^[40]

Recent history and notable members[edit]

The guild is today a society of artists, craftsmen and designers with a common interest in the interaction, development and distribution of creative skills.^[41] Its 350 members work at the highest levels of excellence in their professions, representing over 60 creative disciplines. Their main charitable aim is to support the visual arts and crafts in any way that may be beneficial to the community. The guild continues to programme lectures and workshops for its members to promote the exchange of knowledge among art workers of all disciplines.^[42]

Current notable members include artist Chila Kumari Burman,^[43] Jane Cox, a Fellow of the Craft Potters Association and Chair of the Outreach Committee of the Art Workers Guild (who run projects across various institutions such as the V&A, Courtauld Institute, Watts Gallery and Imperial College London)^[44] and Fleur Oates, a lacemaker and embroiderer who is the artist in residence at Imperial College's vascular surgery department.^[45]

The guild was visited by Prince Charles and Camilla, the Duke and Duchess of Cornwall in 2015 as part of the London Craft Week.^[46] In 2018, the guild staged the exhibition Salon des Refusés, 30 pieces of work by RIBA’s Traditional Architecture Group that had been rejected by the Royal Academy's Piers Gough architecture room.^[47]

In 2023, the guild put forward designs from eight of its Brothers to create rough designs for King Charles coronation invitations. Andrew Jamieson was chosen and his floral design was printed on recycled card.^[48]

Past Masters of the guild[edit]

1884–85 George Blackall Simonds^[29]^[49]
1886–87 John D. Sedding^[29]^[50]
1888–89 Walter Crane^[29]^[51]^[52]
1890 John Brett^[29]^[53]
1891 Sir W. B. Richmond^[29]^[54]
1892 William Morris^[29]^[51]
1893 J. T. Micklethwaite^[29]^[55]
1894 Heywood Sumner^[29]^[19]
1895 Edward Onslow Ford^[29]^[56]
1896 Sir T. Graham Jackson^[29]^[18]
1897 Lewis Foreman Day^[29]^[57]
1898 Thomas Stirling Lee^[29]^[58]
1899 Sir Mervyn Macartney^[29]^[59]
1900 Selwyn Image^[29]^[60]
1901 Sir Frank Short^[29]^[61]
1902 Sir George Frampton^[29]^[62]
1903 Charles Harrison Townsend^[29]^[28]
1904 Sir Emery Walker^[29]^[63]
1905 Sir Charles Holroyd^[29]^[64]
1906 Edward S. Prior^[29]^[65]
1907 William Strang^[29]^[66]
1908 F. W. Pomeroy^[29]^[67]
1909 Sir George Clausen^[29]^[68]
1910 Halsey Ricardo^[29]^[69]
1911 W. R. Lethaby^[29]^[70]
1912 C. W. Whall^[29]^[71]
1913 Edward Prioleau Warren^[29]^[72]
1914 Thomas Okey^[29]^[73]
1915 H. R. Hope-Pinker^[29]^[74]
1916 Harold Speed^[29]^[75]
1917 Henry Wilson^[29]^[76]
1918 Walter Shirley, 11th Earl Ferrers^[29]^[77]
1919 Arthur Rackham^[29]^[78]
1920 R. W. S. Weir(previously known as Robert Weir Schultz)^[29]^[79]
1921 R. Anning Bell^[29]^[51]
1922 Laurence A. Turner^[29]^[80]
1923 Francis W. Troup^[29]^[81]
1924 C. F. Annesley Voysey^[29]^[82]
1925 Gilbert Bayes^[29]^[83]
1926 John Leighton^[29]
1927 Sir Francis Newbolt^[29]^[84]
1928 F. Ernest Jackson^[29]^[85]
1929 C. R. Ashbee^[29]^[86]
1930 Henry Martineau Fletcher (also known as H. M. Fletcher) ^[29]^[87]
1931 Edmund J. Sullivan^[29]^[88]
1932 Basil Oliver^[29]^[89]
1933 Sir Edwin Lutyens^[29]^[90]^[51]
1934 F. L. Griggs^[29]^[91]
1935 Ernest G. Gillick^[29]^[92]
1936 Harry Morley^[29]^[93]
1937 Frederick Marriott^[29]^[94]
1938 Richard Garbe^[29]^[95]
1939–40 Hamilton T. Smith^[29]^[96]
1941 Percy J. Delf Smith^[29]^[97]
1942 George Parlby^[29]^[98]
1943 Sir Albert Richardson^[29]^[99]
1944 William Henry Ansell^[29]^[100]
1945 James Humphries Hogan^[29]^[101]
1946 Cecil Thomas^[29]^[102]
1947 Stephen J. B. Stanton^[29]^[103]
1948 Eric Hesketh Hubbard^[29]^[104]
1949 T. A. Darcy Braddell^[29]
1950 Leonard Walker^[29]^[105]
1951 Cyril Kenneth Bird (also known as Fougasse)^[29]^[106]
1952 Gerald Cobb^[29]
1953 W. Godfrey Allen^[29]
1954 William Washington^[29]
1955 Reginald Robert Tomlinson^[29]^[107]
1956 Donald H. McMorran^[29]^[108]
1957 Brian D. L. Thomas^[29]^[109]
1958 Laurence Bradshaw^[29]^[110]
1959 Henry Medd^[29]^[111]
1960 Stuart Tresilian^[29]^[112]
1961 Sydney M. Cockerell^[29]^[113]
1962 Sir Gordon Russell^[29]^[114]
1963 Milner Grey^[29]^[115]
1964 Arthur Llewellyn Smith^[29]^[116]
1965 William J. Wilson^[29]^[117]
1966 William F. Howard^[29]
1967 John Brandon-Jones^[29]
1968 Charles Hutton^[29]^[118]
1969 Frederick Bentham^[29]
1970 Bruce Allsopp^[29]
1971 Paul Edward Paget^[29]
1972 Joan Hassall^[29]
1973 David Peace^[29]^[71]
1974 Rodney Tatchell^[29]^[71]
1975 Dennis Flanders^[29]^[119]
1976 Roderick Enthoven^[29]^[71]
1977 Arthur Bultitude^[29]^[120]
1978 Sean Crampton^[29]^[121]
1979 Rev. Gordon Taylor^[29]
1980 John Peter Foster^[29]^[122]^[123]
1981 Philip Bentham^[29]
1982 Margaret Maxwell^[29]^[124]
1983 John R. Biggs^[29]^[125]
1984 Sir Peter Shepheard^[29]^[126]
1985 John Skelton^[29]^[127]
1986 Paddy (Patricia) Curzon-Price^[29]
1987 Roderick Gradidge^[29]^[128]
1988 Carl Dolmetsch^[29]^[129]
1989 Roderick Ham^[29]^[130]
1990 John Lawrence^[29]^[131]
1991 Anthony Ballantine^[29]
1992 Kenneth Budd^[29]
1993 Marthe Armitage^[29]
1994 Robin Wyatt^[29]
1995 Richard Grasby^[29]
1996 Glynn Boyd Harte^[29]^[132]
1997 Josephine Harris^[29]^[133]^[134]
1998 Peyton Skipwith^[29]^[51]
1999 Ian Archie Beck^[29]^[17]
2000 Donald Buttress^[29]
2001 Zachary Taylor^[29]
2002 Edward Greenfield^[29]^[135]
2003 Christopher Boulter^[29]
2004 Sally Pollitzer^[29]
2005 Dick Reid^[29]^[136]
2006 Stephen Gotlieb^[29]
2007 Assheton Gorton^[29]
2008 Brian Webb^[29]^[137]
2009 Alison Jensen^[29]
2010 Sophie MacCarthy^[29]
2011 Sir Edmund Fairfax Lucy^[29]^[138]
2012 George Hardie^[29]^[139]
2013 Julian Bicknell^[29]
2014 Prue Cooper^[29]
2015 Anthony Paine^[29]
2016 David Birch^[29]
2017 Phil Abel^[29]
2018 Jane Cox^[44]
2019 Anne Thorne^[140]
2020-21 Alan Powers^[141]
2021-22 Tracey Sheppard^[142]^[143]

2023 Fred Baier^[144]

2024 Rob Ryan^[145]

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^ "Charles Robert Ashbee". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951, University of Glasgow History of Art and HATII. Retrieved 23 October 2021.
^ "Henry Martineau Fletcher". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951, University of Glasgow History of Art and HATII. Retrieved 23 October 2021.
^ Bryant, Mark. World War I in Cartoons. London: Grub Street Pub, 2006, page 17, ISBN 190494356X
^ "Basil Oliver (1882—1948)". Oxford Reference. Retrieved 24 October 2021.
^ Stamp. G (19 November 1981). "The rise and fall and rise of Edwin Lutyens". The Architectural Review (170:1017): 311–18.
^ Wright. H. J. L (1941). The Etched Work of F. L. Griggs R.A., R.E., F.S.A. p. 12.
^ The Year's Art. 1936. p. 104.
^ The Year's Art. 1937. p. 106.
^ The Year's Art. 1938. p. 103.
^ "Richard Louis Garbe RA". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951, University of Glasgow History of Art and HATII, online database 2011. Retrieved 17 August 2020.
^ The Year's Art. 1940. p. 91.
^ The Journal of the Royal Society of Arts. 1947. p. 190.
^ "George Parlby". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951, University of Glasgow History of Art and HATII. Retrieved 25 October 2021.
^ Houfe. S (1980). Sir Albert Richardson: The Professor. White Crescent Press. p. 117. ISBN 9780900804267.
^ Alexander Stuart Gray (1986). Edwardian Architecture: A Biographical Dictionary. University of Iowa Press. p. 89. ISBN 9780715610121.
^ The Studio. 1948. p. 156.
^ Simmons, Frances (October 2007). "Thomas, Cecil Walter". Oxford Dictionary of National Biography (online ed.). Oxford University Press. doi:10.1093/ref:odnb/64419. Retrieved 6 January 2016. (Subscription or UK public library membership required.) (Subscription or UK public library membership required)
^ Journal of the Royal Institute of British Architects. 1951. p. 407.
^ The Voice of Industry. 1947.
^ "Leonard Walker". The British Museum. Retrieved 25 October 2021.
^ Artists' Guide. 1951. p. 63.
^ "Reginald Robert Tomlinson 1885–1978 British, English". artuk.org. Retrieved 26 October 2021.
^ Denison. E (2009). McMorran & Whitby: Twentieth Century Architects. RIBA. p. 141. ISBN 9781859463208.
^ "I. Formative Years". Journal of the Royal Institute of British Architects. 64: 218. 1957.
^ "Laurence Henderson Bradshaw - Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951". sculpture.gla.ac.uk. Retrieved 25 April 2021.
^ "Deaths" (PDF). The Abingdonian. Vol. 17, no. 2. June 1978. p. 57.
^ Whitaker. J (1961). An Almanack for the Year of Our Lord. p. 980.
^ "Sydney M. Cockerell". British Bookbinding Today. 1976. p. 18.
^ Myerson. J (1992). Gordon Russell: Designer of Furniture, 1892-1992. Design Council. p. 6. ISBN 9780850723069.
^ Design, Issues 169-174. 1963. p. 75.
^ William Morris Society (1978). Annual Report. p. 4.
^ "William J. Wilson". Glass. Vol. 50. 1973. p. 7.
^ "Charles Hutton". The Independent. 2 October 1995.
^ Skipwith. Peyton (17 August 1994). "Obituary: Dennis Flanders". The Independent. Retrieved 31 August 2016.
^ "Obituary - Arthur Richard Bultitude MBE Bowmaker". The Strad. Vol. 101. 1990. p. 430.
^ Bailey. Colette (18 August 1999). "Sean Crampton Obituary". The Guardian.
^ "Peter Foster". The Telegraph. 10 March 2010.
^ "Lives remembered". Salon (230). 14 February 2020.
^ Hamilton. James (28 February 2006). "Margaret Maxwell". The Independent.
^ "John R Biggs". University of Brighton. Retrieved 28 October 2021.
^ "Sir Peter Shepheard: Urban architect with a lifelong vision of the natural world". The Guardian. 15 April 2002. Retrieved 15 October 2014.
^ Powers. A (6 December 1999). "Obituary: John Skelton". The Independent.
^ Powers, Alan (24 January 2001). "Roderick Gradidge. Architect who led the rehabilitation of Lutyens". The Guardian.
^ Godwin. S (23 October 2011). "Obituary: Carl Dolmetsch". The Independent.
^ Foster. T (2 March 2017). "Roderick Ham obituary". The Guardian.
^ "John Lawrence Collection".
^ Patrick O'Connor. "Obituary: Glynn Boyd Harte | Global". The Guardian. Retrieved 2 March 2016.
^ Jensen. A (19 November 2020). "Josephine Harris obituary". The Guardian.
^ Jensen, Alison (19 November 2020). "Josephine Harris obituary". The Guardian. Retrieved 26 January 2021.
^ David McKie and Meirion Bowen (2 July 2015). "Edward Greenfield obituary". The Guardian.
^ Lewis. S (19 January 2021). "Obituary: Dick Reid OBE, carver in wood and stone". The York Press.
^ Fairman, Elisabeth R.; Hogan, Eileen; Robinson, Duncan; Morris, Roderick Conway; Longstaffe-Gowan, Todd; Turner, Sarah Victoria (2019). Eileen Hogan: Personal Geographies. Yale University Press. p. 214. ISBN 9780300241471.
^ Hills. P (12 May 2020). "Edmund Fairfax-Lucy obituary". The Guardian.
^ "George Hardie Exhibition". Slanted. 16 July 2020.
^ "Outreach Evening Conversation". Art Workers' Guild. Retrieved 21 October 2021.
^ "Alan Power; teacher; leader for history and theory, London School of Architecture; author, Bauhaus Goes West". Battle of Ideas Festival. Retrieved 21 October 2021.
^ "News". Art Workers' Guild. Retrieved 21 January 2021.
^ "Constitution". Art Workers' Guild. Retrieved 21 January 2021.
^ "Thursday 5 October 2023". Art Worker's Guild. Retrieved 11 February 2024.
^ "Guild meetings". Art Workers' Guild. Retrieved 11 February 2024.

External links[edit]

Media related to Art Workers' Guild at Wikimedia Commons
"Art Workers Guild". Official website of the Guild. Archived from the original on 24 October 2005. Retrieved 17 October 2005.
Gavin Stamp. "A Hundred Years of the Art Workers Guild" (PDF). Retrieved 10 March 2013.
The Guild Constitution
Artworkers’ Guild History

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[5] Mallalieu. H (14 November 2014). "Glittering auction for art workers' hall". The Times.

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[88] Bryant, Mark. World War I in Cartoons. London: Grub Street Pub, 2006, page 17, ISBN 190494356X

[89] "Basil Oliver (1882—1948)". Oxford Reference. Retrieved 24 October 2021.

[90] Stamp. G (19 November 1981). "The rise and fall and rise of Edwin Lutyens". The Architectural Review (170:1017): 311–18.

[91] Wright. H. J. L (1941). The Etched Work of F. L. Griggs R.A., R.E., F.S.A. p. 12.

[92] The Year's Art. 1936. p. 104.

[93] The Year's Art. 1937. p. 106.

[94] The Year's Art. 1938. p. 103.

[mapb-95] "Richard Louis Garbe RA". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951, University of Glasgow History of Art and HATII, online database 2011. Retrieved 17 August 2020.

[96] The Year's Art. 1940. p. 91.

[97] The Journal of the Royal Society of Arts. 1947. p. 190.

[98] "George Parlby". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951, University of Glasgow History of Art and HATII. Retrieved 25 October 2021.

[99] Houfe. S (1980). Sir Albert Richardson: The Professor. White Crescent Press. p. 117. ISBN 9780900804267.

[100] Alexander Stuart Gray (1986). Edwardian Architecture: A Biographical Dictionary. University of Iowa Press. p. 89. ISBN 9780715610121.

[101] The Studio. 1948. p. 156.

[odnb-102] Simmons, Frances (October 2007). "Thomas, Cecil Walter". Oxford Dictionary of National Biography (online ed.). Oxford University Press. doi:10.1093/ref:odnb/64419. Retrieved 6 January 2016. (Subscription or UK public library membership required.) (Subscription or UK public library membership required)

[103] Journal of the Royal Institute of British Architects. 1951. p. 407.

[104] The Voice of Industry. 1947.

[105] "Leonard Walker". The British Museum. Retrieved 25 October 2021.

[106] Artists' Guide. 1951. p. 63.

[107] "Reginald Robert Tomlinson 1885–1978 British, English". artuk.org. Retrieved 26 October 2021.

[dm-108] Denison. E (2009). McMorran & Whitby: Twentieth Century Architects. RIBA. p. 141. ISBN 9781859463208.

[109] "I. Formative Years". Journal of the Royal Institute of British Architects. 64: 218. 1957.

[110] "Laurence Henderson Bradshaw - Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951". sculpture.gla.ac.uk. Retrieved 25 April 2021.

[111] "Deaths" (PDF). The Abingdonian. Vol. 17, no. 2. June 1978. p. 57.

[112] Whitaker. J (1961). An Almanack for the Year of Our Lord. p. 980.

[113] "Sydney M. Cockerell". British Bookbinding Today. 1976. p. 18.

[114] Myerson. J (1992). Gordon Russell: Designer of Furniture, 1892-1992. Design Council. p. 6. ISBN 9780850723069.

[115] Design, Issues 169-174. 1963. p. 75.

[116] William Morris Society (1978). Annual Report. p. 4.

[117] "William J. Wilson". Glass. Vol. 50. 1973. p. 7.

[118] "Charles Hutton". The Independent. 2 October 1995.

[119] Skipwith. Peyton (17 August 1994). "Obituary: Dennis Flanders". The Independent. Retrieved 31 August 2016.

[strad-120] "Obituary - Arthur Richard Bultitude MBE Bowmaker". The Strad. Vol. 101. 1990. p. 430.

[121] Bailey. Colette (18 August 1999). "Sean Crampton Obituary". The Guardian.

[122] "Peter Foster". The Telegraph. 10 March 2010.

[123] "Lives remembered". Salon (230). 14 February 2020.

[124] Hamilton. James (28 February 2006). "Margaret Maxwell". The Independent.

[125] "John R Biggs". University of Brighton. Retrieved 28 October 2021.

[126] "Sir Peter Shepheard: Urban architect with a lifelong vision of the natural world". The Guardian. 15 April 2002. Retrieved 15 October 2014.

[127] Powers. A (6 December 1999). "Obituary: John Skelton". The Independent.

[128] Powers, Alan (24 January 2001). "Roderick Gradidge. Architect who led the rehabilitation of Lutyens". The Guardian.

[129] Godwin. S (23 October 2011). "Obituary: Carl Dolmetsch". The Independent.

[130] Foster. T (2 March 2017). "Roderick Ham obituary". The Guardian.

[cbi-131] "John Lawrence Collection".

[guardian-132] Patrick O'Connor. "Obituary: Glynn Boyd Harte | Global". The Guardian. Retrieved 2 March 2016.

[133] Jensen. A (19 November 2020). "Josephine Harris obituary". The Guardian.

[134] Jensen, Alison (19 November 2020). "Josephine Harris obituary". The Guardian. Retrieved 26 January 2021.

[135] David McKie and Meirion Bowen (2 July 2015). "Edward Greenfield obituary". The Guardian.

[136] Lewis. S (19 January 2021). "Obituary: Dick Reid OBE, carver in wood and stone". The York Press.

[137] Fairman, Elisabeth R.; Hogan, Eileen; Robinson, Duncan; Morris, Roderick Conway; Longstaffe-Gowan, Todd; Turner, Sarah Victoria (2019). Eileen Hogan: Personal Geographies. Yale University Press. p. 214. ISBN 9780300241471.

[138] Hills. P (12 May 2020). "Edmund Fairfax-Lucy obituary". The Guardian.

[139] "George Hardie Exhibition". Slanted. 16 July 2020.

[140] "Outreach Evening Conversation". Art Workers' Guild. Retrieved 21 October 2021.

[141] "Alan Power; teacher; leader for history and theory, London School of Architecture; author, Bauhaus Goes West". Battle of Ideas Festival. Retrieved 21 October 2021.

[142] "News". Art Workers' Guild. Retrieved 21 January 2021.

[143] "Constitution". Art Workers' Guild. Retrieved 21 January 2021.

[144] "Thursday 5 October 2023". Art Worker's Guild. Retrieved 11 February 2024.

[145] "Guild meetings". Art Workers' Guild. Retrieved 11 February 2024.

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-The '''Art Workers' Guild''' is an organisation established in 1884 by a group of British painters, sculptors, architects, and designers associated with the ideas of [[William Morris]] and the [[Arts and Crafts movement]].<ref name=masse>{{cite book|title=The Arts Workers' Guild, 1884-1934|author=Henri Jean Louis Joseph Massé}}</ref><ref>{{cite book|title=Art Workers Guild: 125 Years|author=Platman. L|isbn=9781906509057|date=2009}}</ref> The guild promoted the 'unity of all the arts', denying the distinction between fine and applied art.<ref name=ox>{{cite ODNB|url=https://www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-96545|title=Founder members of the Art-Workers' Guild (act. 1884-1899)|author=Whyte. W|date=4 October 2007|doi=10.1093/ref:odnb/96545|isbn=978-0-19-861412-8}}</ref><ref>{{cite news|url=https://www.thetimes.co.uk/article/glittering-auction-for-art-workers-hall-76p9z6lznpx|title=Glittering auction for art workers' hall|newspaper=The Times|author=Mallalieu. H|date=14 November 2014}}</ref> It opposed the professionalisation of architecture – which was promoted by the [[Royal Institute of British Architects]] at this time – in the belief that this would inhibit design.<ref>{{cite book|title=Design Culture in Liverpool, 1880-1914: The Origins of the Liverpool School of Architecture|author=Crouch. C|date=2002|pages=61–63|isbn=9780853238843}}</ref><ref name=das>{{cite journal|title=Two Arts and Crafts Interiors by Aston Webb|journal=The Journal of the Decorative Arts Society 1850 - the Present|author=Dungavell. I|pages=103–115|issue=21|url=https://www.jstor.org/stable/41809259|date=1997|jstor=41809259}}</ref><ref>{{cite book|url=https://books.google.com/books?id=ujXpAAAAIAAJ&dq=%22art+workers+guild%22+membership&pg=PA186|title=William Morris: Design and Enterprise in Victorian Britain|author=Charles Harvey, Jon Press|page=186|date=1991|isbn=9780719024184}}</ref> In his 1998 book, ''Introduction to Victorian Style'', University of Brighton's David Crowley stated the guild was "the conscientious core of the Arts and Crafts Movement".<ref>{{cite web|url=https://victorianweb.org/art/institutions/awg.html|title=The Art Workers Guild|website=The Victorian Web|access-date=17 October 2021}}</ref>
+The '''Art Workers' Guild''' is an organisation established in 1884 by a group of British painters, sculptors, architects, and designers associated with the ideas of [[William Morris]] and the [[Arts and Crafts movement]].<ref name=masse>{{cite book|title=The Arts Workers' Guild, 1884-1934|author=Henri Jean Louis Joseph Massé}}</ref><ref>{{cite book|title=Art Workers Guild: 125 Years|author=Platman. L|isbn=9781906509057|date=2009|publisher=Unicorn Press }}</ref> The guild promoted the 'unity of all the arts', denying the distinction between fine and applied art.<ref name=ox>{{cite ODNB|url=https://www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-96545|title=Founder members of the Art-Workers' Guild (act. 1884-1899)|author=Whyte. W|date=4 October 2007|doi=10.1093/ref:odnb/96545|isbn=978-0-19-861412-8}}</ref><ref>{{cite news|url=https://www.thetimes.co.uk/article/glittering-auction-for-art-workers-hall-76p9z6lznpx|title=Glittering auction for art workers' hall|newspaper=The Times|author=Mallalieu. H|date=14 November 2014}}</ref> It opposed the professionalisation of architecture – which was promoted by the [[Royal Institute of British Architects]] at this time – in the belief that this would inhibit design.<ref>{{cite book|title=Design Culture in Liverpool, 1880-1914: The Origins of the Liverpool School of Architecture|author=Crouch. C|date=2002|pages=61–63|publisher=Liverpool University Press |isbn=9780853238843}}</ref><ref name=das>{{cite journal|title=Two Arts and Crafts Interiors by Aston Webb|journal=The Journal of the Decorative Arts Society 1850 - the Present|author=Dungavell. I|pages=103–115|issue=21|url=https://www.jstor.org/stable/41809259|date=1997|jstor=41809259}}</ref><ref>{{cite book|url=https://books.google.com/books?id=ujXpAAAAIAAJ&dq=%22art+workers+guild%22+membership&pg=PA186|title=William Morris: Design and Enterprise in Victorian Britain|author=Charles Harvey, Jon Press|page=186|date=1991|publisher=Manchester University Press |isbn=9780719024184}}</ref> In his 1998 book, ''Introduction to Victorian Style'', University of Brighton's David Crowley stated the guild was "the conscientious core of the Arts and Crafts Movement".<ref>{{cite web|url=https://victorianweb.org/art/institutions/awg.html|title=The Art Workers Guild|website=The Victorian Web|access-date=17 October 2021}}</ref>
 ==History==
-The guild was not the first organisation to promote the unity of the arts. Two organisations, the Fifteen and St. George's Art Society had existed previously,<ref name=ox/> and the guild's founders came from the St George's Art Society.<ref name=ox/> They were five young architects from [[Norman Shaw]]'s office: [[W. R. Lethaby]], [[Edward Schroeder Prior|Edward Prior]], [[Ernest Newton]], Mervyn Macartney and [[Gerald C. Horsley]], plus metal worker [[William Arthur Smith Benson|W. A. S. Benson]], designer [[Heywood Sumner]], painter [[Carlile Henry Hayes Macartney|C. H. H. Macartney]], sculptors [[Hamo Thornycroft]] and [[Edward Onslow Ford]],<ref>{{cite book|url=https://books.google.com/books?id=cZfrAAAAMAAJ&q=%22master+of+the+art+Workers%27+Guild%22+portraits|title=The Encyclopedia of the Victorian|author=Harriet Bridgeman, Elizabeth Drury|page=188|date=1975|isbn=9780600331230}}</ref> and the architect [[John Belcher (architect)|John Belcher]].<ref name=vw>{{cite web|url=https://victorianweb.org/art/institutions/awg.html|title=The Art Worker' s Guild|website=Victorian Web|access-date=3 August 2021}}</ref><ref name=ucl>{{cite web|url=https://www.ucl.ac.uk/bloomsbury-project/institutions/art_workers_guild.htm|title=UCL Bloomsbury Project - Art Workers Guild|website=UCL|access-date=3 August 2021}}</ref><ref name=ox/> The motive for the guilds creation was the summer exhibition in 1883 at the [[Royal Academy of Arts]], where the "mother of arts" were snubbed to two side walls in one gallery.<ref name=jh/> [[Edward Schroeder Prior|Edward Prior]] wrote in November 1883, {{block quote|Painters, Sculptors, and Architects are in danger of settling permanently into three distinct professions, oblivious of one another's aims. A Society is wanted to restore their former union with one another with a programme of cohesion such as the [[Royal Academy of Arts|Royal Academy]] hardly now suggests, and which the Institute of British Architects has deliberately rejected.}}
+The guild was not the first organisation to promote the unity of the arts. Two organisations, the Fifteen and St George's Art Society had existed previously,<ref name=ox/> and the guild's founders came from the St George's Art Society.<ref name=ox/> They were five young architects from [[Norman Shaw]]'s office: [[W. R. Lethaby]], [[Edward Schroeder Prior|Edward Prior]], [[Ernest Newton]], [[Mervyn Macartney]] and [[Gerald C. Horsley]], plus metal worker [[William Arthur Smith Benson|W. A. S. Benson]], designer [[Heywood Sumner]], painter [[Carlile Henry Hayes Macartney|C. H. H. Macartney]], sculptors [[Hamo Thornycroft]] and [[Edward Onslow Ford]],<ref>{{cite book|url=https://books.google.com/books?id=cZfrAAAAMAAJ&q=%22master+of+the+art+Workers%27+Guild%22+portraits|title=The Encyclopedia of the Victorian|author=Harriet Bridgeman, Elizabeth Drury|page=188|date=1975|publisher=Country Life |isbn=9780600331230}}</ref> and the architect [[John Belcher (architect)|John Belcher]].<ref name=vw>{{cite web|url=https://victorianweb.org/art/institutions/awg.html|title=The Art Worker' s Guild|website=Victorian Web|access-date=3 August 2021}}</ref><ref name=ucl>{{cite web|url=https://www.ucl.ac.uk/bloomsbury-project/institutions/art_workers_guild.htm|title=UCL Bloomsbury Project - Art Workers Guild|website=UCL|access-date=3 August 2021}}</ref><ref name=ox/> The motive for the guild's creation was the summer exhibition in 1883 at the [[Royal Academy of Arts]], where the "mother of arts" were snubbed to two side walls in one gallery.<ref name=jh/> [[Edward Schroeder Prior|Edward Prior]] wrote in November 1883, {{blockquote|Painters, Sculptors, and Architects are in danger of settling permanently into three distinct professions, oblivious of one another's aims. A Society is wanted to restore their former union with one another with a programme of cohesion such as the [[Royal Academy of Arts|Royal Academy]] hardly now suggests, and which the Institute of British Architects has deliberately rejected.}}
-Others were soon invited to join, including Fifteen members [[Lewis Foreman Day]], [[George Blackall Simonds]] and [[J. D. Sedding]], as well as architects [[Somers Clarke]], [[John Thomas Micklethwaite]], [[William Marshall (tennis)|W. C. Marshall]], [[Basil Champneys]]; painters [[Herbert Gustave Schmalz]], [[Alfred Parsons (artist)|Alfred Parsons]], [[John McLure Hamilton]], [[William R. Symonds]] and etcher [[Theodore Blake Wirgman]].<ref name=ox/> The first meeting took place on 18 January 1884 at [[Charing Cross railway station|Charing Cross Hotel]] with Belcher as chair, and after some debate agreed they would invite others "for promoting greater intercourse among the Arts". Several names were proposed, including Guild of Art by Benson, Guild of Associated Arts, Guild of Art Workers, The Art Workers and the Society of Art Workers. Prior combined the name ideas and put forward the Art Workers' Guild and wrote the Guilds prospectus.<ref name=jh>{{cite book|url=https://books.google.com/books?id=Gx4OEAAAQBAJ&dq=%22Edward+prior%22+art+workers+guild+master&pg=PT162|title=Arts and Crafts Architecture: 'Beauty's Awakening'|author=Holder. J|date=2021|isbn=9781785007965}}</ref> The name and prospectus was agreed and the guild was formally created on 11 March and by its first formal annual meeting on 5 December 1884 it had grown to 56 members.<ref name=ox/> The guild was based on the medieval trade guilds, with members called Brothers and its head called Master.<ref>{{cite book|url=https://books.google.com/books?id=MlKhCAAAQBAJ&dq=%22Edward+prior%22+art+workers+guild+master&pg=PT81|title=Encyclopedia of Interior Design|author=Banham.J|date=1997|page=63|isbn=9781884964190}}</ref> Its first master was the sculptor, George Blackall Simonds.<ref>{{cite book|title=Freemasonry and the Visual Arts from the Eighteenth Century Forward Historical and Global Perspectives|author=Reva Wolf and Alisa Luxenberg|publisher=Bloomsbury|pages=203–226|date=2020|doi=10.5040/9781501337994.ch-009|s2cid=213063811}}</ref> In 1885, [[Walter Crane]] reiterated the guild's worries to the [[Fabian Society]],<ref name=das/> {{block quote|Artistic expression had only reached its noblest and most beautiful results under collective condition of the arts, at all events when all art was decorative, and all were allied to architecture.}}
+Others were soon invited to join, including Fifteen members [[Lewis Foreman Day]], [[George Blackall Simonds]] and [[J. D. Sedding]], as well as architects [[Somers Clarke]], [[John Thomas Micklethwaite]], [[William Marshall (tennis)|W. C. Marshall]], [[Basil Champneys]]; painters [[Herbert Gustave Schmalz]], [[Alfred Parsons (artist)|Alfred Parsons]], [[John McLure Hamilton]], [[William R. Symonds]] and etcher [[Theodore Blake Wirgman]].<ref name=ox/> The first meeting took place on 18 January 1884 at [[Charing Cross railway station|Charing Cross Hotel]] with Belcher as chair, and after some debate agreed they would invite others "for promoting greater intercourse among the Arts". Several names were proposed, including Guild of Art by Benson, Guild of Associated Arts, Guild of Art Workers, The Art Workers and the Society of Art Workers. Prior combined the name ideas and put forward the Art Workers' Guild and wrote the Guilds prospectus.<ref name=jh>{{cite book|url=https://books.google.com/books?id=Gx4OEAAAQBAJ&dq=%22Edward+prior%22+art+workers+guild+master&pg=PT162|title=Arts and Crafts Architecture: 'Beauty's Awakening'|author=Holder. J|date=2021|publisher=The Crowood Press |isbn=9781785007965}}</ref> The name and prospectus was agreed and the guild was formally created on 11 March and by its first formal annual meeting on 5 December 1884 it had grown to 56 members.<ref name=ox/> The guild was based on the medieval trade guilds, with members called Brothers and its head called Master.<ref>{{cite book|url=https://books.google.com/books?id=MlKhCAAAQBAJ&dq=%22Edward+prior%22+art+workers+guild+master&pg=PT81|title=Encyclopedia of Interior Design|author=Banham.J|date=1997|page=63|publisher=Routledge |isbn=9781884964190}}</ref> Its first master was the sculptor, George Blackall Simonds.<ref>{{cite book|title=Freemasonry and the Visual Arts from the Eighteenth Century Forward Historical and Global Perspectives|author=Reva Wolf and Alisa Luxenberg|publisher=Bloomsbury|pages=203–226|date=2020|doi=10.5040/9781501337994.ch-009|s2cid=213063811}}</ref> In 1885, [[Walter Crane]] reiterated the guild's worries to the [[Fabian Society]],<ref name=das/> {{blockquote|Artistic expression had only reached its noblest and most beautiful results under collective condition of the arts, at all events when all art was decorative, and all were allied to architecture.}}
-The guild organised talks, lectures, demonstrations and meetings to bring unity of the arts to its members including guest speakers such as [[Lucien Pissarro]] in 1891.<ref>{{cite book|url=https://www.tate.org.uk/art/research-publications/camden-town-group/lucien-pissarro-r1105344|title=The Camden Town Group in Context|website=The Tate|date=May 2012|isbn=9781849763851|access-date=22 October 2021|last1=(Gallery)|first1=Tate Britain}}</ref> Sir [[Edwin Lutyens]] was first invited as a guest in 1892 and recalled:<ref name=el>{{cite news|url=https://www.independent.co.uk/arts-entertainment/design-dreamtime-in-dieppe-1195876.html|title=Design: Dreamtime in Dieppe|author=Powers. A|newspaper=The Independent|date=3 September 1998}}</ref> {{blockquote|then, no one knew me and those few that did patronised or snubbed me}} but he joined later and admired the freedom to argue passionately and: {{blockquote|the way those fellows lay into each other}} By 1895 the guild had 195 members and included such luminaries as [[William Morris]] and [[Thomas Graham Jackson]].<ref name=tgj/> At that year's annual general meeting, the elected Master [[Heywood Sumner]] declared to the members:<ref name=phil/> {{block quote|the authorities are beginning to recognise that if you want a good man for a public post connected with the Arts, the Art Workers' Guild is the place to come for that purpose.}}
+The guild organised talks, lectures, demonstrations and meetings to bring unity of the arts to its members including guest speakers such as [[Lucien Pissarro]] in 1891.<ref>{{cite book|url=https://www.tate.org.uk/art/research-publications/camden-town-group/lucien-pissarro-r1105344|title=The Camden Town Group in Context|website=The Tate|date=May 2012|isbn=9781849763851|access-date=22 October 2021|last1=(Gallery)|first1=Tate Britain}}</ref> Sir [[Edwin Lutyens]] was first invited as a guest in 1892 and recalled:<ref name=el>{{cite news|url=https://www.independent.co.uk/arts-entertainment/design-dreamtime-in-dieppe-1195876.html|title=Design: Dreamtime in Dieppe|author=Powers. A|newspaper=The Independent|date=3 September 1998}}</ref> {{blockquote|then, no one knew me and those few that did patronised or snubbed me}} but he joined later and admired the freedom to argue passionately and: {{blockquote|the way those fellows lay into each other}} By 1895 the guild had 195 members and included such luminaries as [[William Morris]] and [[Thomas Graham Jackson]].<ref name=tgj/> At that year's annual general meeting, the elected Master [[Heywood Sumner]] declared to the members:<ref name=phil/> {{blockquote|the authorities are beginning to recognise that if you want a good man for a public post connected with the Arts, the Art Workers' Guild is the place to come for that purpose.}}
-This comment was confirmed in 1900 when the government recruited guild members Thomas Graham Jackson, [[William Blake Richmond]], Edward Onslow Ford, and Walter Crane to the Council for Advice on Art, and they reorganised the [[Royal College of Art]] in line with Art Workers' Guild ideals.<ref name=ox/> Under Graham Jacksons' time as Master, the Guildsmen were looking at the purpose of the guild. Many, including Morris wanted the guild to be a more active force and put forward a Councillor to the [[London County Council]] to advise on the protection of historical buildings and advocate craftsmanship.<ref name=ww/> However Graham Jackson was against politics and declared the guild should not be:<ref name=ww/> {{block quote|departing from the old lines on which it had advanced to its present position of usefulness and success}} Graham Jackson decided training the next generation of artists was more important and created the Art Student Guild, which would go onto become the Junior Guild.<ref name=ww>{{cite book|url=https://books.google.com/books?id=97YUDAAAQBAJ&dq=%22H.+M.+Fletcher%22+art+workers+guild&pg=PA79|title=Oxford Jackson: Architecture, Education, Status, and Style 1835-1924|author=Whyte. W|date=2006|page=78|isbn=9780199296583}}</ref> The Junior Guild was not a great success and by 1928 was confirmed by members that it had outlived its purpose. However, Masters H. M. Fletcher and Basil Oliver had come through the junior guild.<ref name=ww/>
+This comment was confirmed in 1900 when the government recruited guild members Thomas Graham Jackson, [[William Blake Richmond]], Edward Onslow Ford, and Walter Crane to the Council for Advice on Art, and they reorganised the [[Royal College of Art]] in line with Art Workers' Guild ideals.<ref name=ox/> Under Graham Jacksons' time as Master, the Guildsmen were looking at the purpose of the guild. Many, including Morris wanted the guild to be a more active force and put forward a Councillor to the [[London County Council]] to advise on the protection of historical buildings and advocate craftsmanship.<ref name=ww/> However Graham Jackson was against politics and declared the guild should not be:<ref name=ww/> {{blockquote|departing from the old lines on which it had advanced to its present position of usefulness and success}} Graham Jackson decided training the next generation of artists was more important and created the Art Student Guild, which would go onto become the Junior Guild.<ref name=ww>{{cite book|url=https://books.google.com/books?id=97YUDAAAQBAJ&dq=%22H.+M.+Fletcher%22+art+workers+guild&pg=PA79|title=Oxford Jackson: Architecture, Education, Status, and Style 1835-1924|author=Whyte. W|date=2006|page=78|publisher=Clarendon Press |isbn=9780199296583}}</ref> The Junior Guild was not a great success and by 1928 was confirmed by members that it had outlived its purpose. However, Masters H. M. Fletcher and Basil Oliver had come through the junior guild.<ref name=ww/>
-In 1902, on retiring from the Master's position, [[George Frampton]] stressed that only properly qualified candidates should be elected to the guild, and in 1905 the membership election system was amended.<ref name=map/> By this time the membership had grown to 235. Frampton had also recommended that the guild set up a benevolent fund for hard up members,<ref name=masse/> which became known as the Guild Chest.<ref>{{cite web|url=https://www.artworkersguild.org/who-we-are/the-guild-chest/|title=The Guild Chest|website=Art Workers' Guild|access-date=21 October 2021}}</ref> However Frampton caused controversy in 1915, calling for Karl Krall, a German-born member, to have his membership revoked due to his nationality during [[World War I]]. The guild voted by a one vote majority to allow Krall to keep his membership, so Frampton resigned. Krall was so upset by the debates that led to the vote that he also resigned and asked that he never be contacted by the guild again.<ref>{{cite book|url=https://books.google.com/books?id=A3kZCgAAQBAJ&dq=%22George+Frampton%22+art+workers+guild&pg=PA57|title=British Art and the First World War, 1914-1924|author=Fox. J|date=2015|isbn=9781107105874}}</ref>
+In 1902, on retiring from the Master's position, [[George Frampton]] stressed that only properly qualified candidates should be elected to the guild, and in 1905 the membership election system was amended.<ref name=map/> By this time the membership had grown to 235. Frampton had also recommended that the guild set up a benevolent fund for hard up members,<ref name=masse/> which became known as the Guild Chest.<ref>{{cite web|url=https://www.artworkersguild.org/who-we-are/the-guild-chest/|title=The Guild Chest|website=Art Workers' Guild|access-date=21 October 2021}}</ref> However Frampton caused controversy in 1915, calling for Karl Krall, a German-born member, to have his membership revoked due to his nationality during [[World War I]]. The guild voted by a one-vote majority to allow Krall to keep his membership, so Frampton resigned. Krall was so upset by the debates that led to the vote that he also resigned and asked that he never be contacted by the guild again.<ref>{{cite book|url=https://books.google.com/books?id=A3kZCgAAQBAJ&dq=%22George+Frampton%22+art+workers+guild&pg=PA57|title=British Art and the First World War, 1914-1924|author=Fox. J|date=2015|publisher=Cambridge University Press |isbn=9781107105874}}</ref>
-During [[World War II]] the guild's income dropped considerably, however they remained solvent under the "zealous guardianship of the funds" of honorary treasurer [[Laurence Arthur Turner]].<ref name=map/> In 1945, the War Memorial Advisory Committee asked the guild for its ideas on war memorials, to which the guild responded by deploring mass produced war memorials and advising on well designed carved inscriptions on the walls of the church cut by individual craftsmen.<ref name=map/>
+During [[World War II]] the guild's income dropped considerably, however they remained solvent under the "zealous guardianship of the funds" of honorary treasurer [[Laurence Arthur Turner]].<ref name=map/> In 1945, the War Memorial Advisory Committee asked the guild for its ideas on war memorials, to which the guild responded by deploring mass-produced war memorials and advising on well designed carved inscriptions on the walls of the church cut by individual craftsmen.<ref name=map/>
-The Art Workers Guild gave rise to many offshoots, including the Birmingham, Liverpool,<ref>{{cite book|url=https://books.google.com/books?id=35ovbqnVXk0C&dq=master+of+the+art+workers+guild&pg=PA72|title=Design Culture in Liverpool, 1880-1914: The Origins of the Liverpool School|author=Crouch. C|page=72|date=2002|isbn=9780853238843}}</ref> the Northern Art Workers' Guild in Manchester,<ref>{{cite web|url=https://sculpture.gla.ac.uk/view/organization.php?id=msib5_1233586492|title=Northern Art Workers' Guild|website=Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951, University of Glasgow History of Art and HATII|access-date=21 October 2021}}</ref> the Edinburgh Art Workers' Guild and the Junior Art Workers' Guild but the biggest was the [[Arts and Crafts Exhibition Society]].<ref name=vw/><ref name=phil/> There was even a guild set up in [[Philadelphia]].<ref>{{cite journal|url=https://books.google.com/books?id=R4hMAAAAYAAJ&dq=%22art+workers+guild%22+membership&pg=PA29|title=Socities|journal=The American Architect and Building News|page=29|date=14 January 1893}}</ref> The guild began as a male-only organisation, leading [[May Morris]] to start the [[Women’s Guild of Arts]] in 1907 as an alternative for women.<ref>{{cite journal|last1=Thomas|first1=Zoe|title='At Home with the Women's Guild of Arts: gender and professional identity in London studios, c. 1880–1925'|journal=[[Women's History Review]]|volume=24|issue=6|pages=938–964|date=June 2015|url=http://www.tandfonline.com/eprint/tHneiAkTFHfwD6JSskRp/full#.VXHpaUJzy_s|doi=10.1080/09612025.2015.1039348|s2cid=142796942}}</ref> In 1914 the women's guild was allowed to use the meeting hall at Queens Square, but they were not allowed to have their roll call on the walls.<ref name=zt>{{cite book|url=https://books.google.com/books?id=inTnDwAAQBAJ&dq=%22art+workers+guild%22+master&pg=PT65|title=Women art workers and the Arts and Crafts movement|author=Thomas. Z|date=2020|isbn=9781526140432}}</ref> There was great discussion between members about letting in women with Hamilton T. Smith writing to Arthur Llewellyn Smith in 1958 stated:<ref name=zt/> {{blockquote|Ladies. My instinct is against this proposal but I don't know that I feel strong enough to fight it very hard}} In the 1959 Annual Report, it stated that it was "discussed at length but not put to the vote, it being felt that so revolutionary a proposal needed further careful discussion".<ref name=zt/> Further discussions occurred over the next few years, and in 1962 past master Brian Thomas asked:<ref name=zt/> {{blockquote|whether there was any evidence that women wanted to join the guild}} It was not until 1964 that the brothers, at a special meeting, agreed to admit women to the guild.<ref name=zt/> The first women to join was the wood engraver [[Joan Hassall]] who became the first female Master in 1972.<ref name=pm/> In 1949, the members of the Junior Art Workers' Guild were invited to join the guild after their organisation closed down.<ref name=map/>
+The Art Workers Guild gave rise to many offshoots, including the Birmingham, Liverpool,<ref>{{cite book|url=https://books.google.com/books?id=35ovbqnVXk0C&dq=master+of+the+art+workers+guild&pg=PA72|title=Design Culture in Liverpool, 1880-1914: The Origins of the Liverpool School|author=Crouch. C|page=72|date=2002|publisher=Liverpool University Press |isbn=9780853238843}}</ref> the Northern Art Workers' Guild in Manchester,<ref>{{cite web|url=https://sculpture.gla.ac.uk/view/organization.php?id=msib5_1233586492|title=Northern Art Workers' Guild|website=Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951, University of Glasgow History of Art and HATII|access-date=21 October 2021}}</ref> the Edinburgh Art Workers' Guild and the Junior Art Workers' Guild but the biggest was the [[Arts and Crafts Exhibition Society]].<ref name=vw/><ref name=phil/> There was even a guild set up in [[Philadelphia]].<ref>{{cite journal|url=https://books.google.com/books?id=R4hMAAAAYAAJ&dq=%22art+workers+guild%22+membership&pg=PA29|title=Socities|journal=The American Architect and Building News|page=29|date=14 January 1893}}</ref> The guild began as a male-only organisation, leading [[May Morris]] to start the [[Women’s Guild of Arts]] in 1907 as an alternative for women.<ref>{{cite journal|last1=Thomas|first1=Zoe|title='At Home with the Women's Guild of Arts: gender and professional identity in London studios, c. 1880–1925'|journal=[[Women's History Review]]|volume=24|issue=6|pages=938–964|date=June 2015|url=http://www.tandfonline.com/eprint/tHneiAkTFHfwD6JSskRp/full#.VXHpaUJzy_s|doi=10.1080/09612025.2015.1039348|s2cid=142796942}}</ref> In 1914 the women's guild was allowed to use the meeting hall at Queens Square, but they were not allowed to have their roll call on the walls.<ref name=zt>{{cite book|url=https://books.google.com/books?id=inTnDwAAQBAJ&dq=%22art+workers+guild%22+master&pg=PT65|title=Women art workers and the Arts and Crafts movement|author=Thomas. Z|date=2020|publisher=Manchester University Press |isbn=9781526140432}}</ref> There was great discussion between members about letting in women with Hamilton T. Smith writing to Arthur Llewellyn Smith in 1958 stated:<ref name=zt/> {{blockquote|Ladies. My instinct is against this proposal but I don't know that I feel strong enough to fight it very hard}} In the 1959 Annual Report, it stated that it was "discussed at length but not put to the vote, it being felt that so revolutionary a proposal needed further careful discussion".<ref name=zt/> Further discussions occurred over the next few years, and in 1962 past master Brian Thomas asked:<ref name=zt/> {{blockquote|whether there was any evidence that women wanted to join the guild}} It was not until 1964 that the brothers, at a special meeting, agreed to admit women to the guild.<ref name=zt/> The first women to join was the wood engraver [[Joan Hassall]] who became the first female Master in 1972.<ref name=pm/> In 1949, the members of the Junior Art Workers' Guild were invited to join the guild after their organisation closed down.<ref name=map/>
-In 1985, a centenary exhibition was held at the Brighton Museum and Art Gallery. In a review of the exhibition by Colin Amery in ''[[The Burlington Magazine]]'', Amery stated that the exhibition showed "the current Guildsmen work did not have the weight and quality to carry hope of a new spring".<ref>{{cite magazine|url=https://www.jstor.org/stable/882054|title=Brighton and Cheltenham Art Workers Guild|magazine=The Burlington Magazine|date=March 1985|issue=127:984|pages=182–185|jstor=882054}}</ref>
+In 1985, a centenary exhibition was held at the Brighton Museum and Art Gallery. In a review of the exhibition by Colin Amery in ''[[The Burlington Magazine]]'', Amery stated that the exhibition showed "the current Guildsmen work did not have the weight and quality to carry hope of a new spring".<ref>{{cite magazine|url=https://www.jstor.org/stable/882054|title=Brighton and Cheltenham Art Workers Guild|magazine=The Burlington Magazine|date=March 1985|volume=127 |issue=984|pages=182–185|jstor=882054}}</ref>
 ==The guild's home==
-The guild held its meetings initially in rented space. Between 1884 and 1888, it used the Century Club's rooms at 6 Pall Mall Place in [[Pall Mall, London]],<ref>{{cite web|url=https://web.prm.ox.ac.uk/sma/index.php/articles/article-index/404-century-club.html|title=Century Club|website=The Invention of Museum Anthropology, 1850-1920|access-date=17 October 2021}}</ref> from 1888 to 1894 it used [[Barnard's Inn]], [[Holborn]] and then between 1894 to 1914 they used [[Clifford's Inn]].<ref name=ox/> In 1914, the lease on Clifford's Inn was to end and the organisation was looking for a new home. The [[Central School of Art and Design]] was offered as temporary accommodation by [[London County Council]], with negotiations being held by F. V. Burridge, the college's principal.<ref name=map>{{cite web|url=https://sculpture.gla.ac.uk/view/organization.php?id=msib2_1206479696|title=Art Workers' Guild|website=Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951, University of Glasgow History of Art and HATII|access-date=17 October 2021}}</ref><ref name=oxford>[http://www.oxfordreference.com/view/10.1093/oi/authority.20110803095558717 Overview: Central School of Arts and Crafts]. Oxford Reference. Accessed July 2013.</ref>
+The guild held its meetings initially in rented space. Between 1884 and 1888, it used the Century Club's rooms at 6 Pall Mall Place in [[Pall Mall, London]],<ref>{{cite web|url=https://web.prm.ox.ac.uk/sma/index.php/articles/article-index/404-century-club.html|title=Century Club|website=The Invention of Museum Anthropology, 1850-1920|access-date=17 October 2021}}</ref> from 1888 to 1894 it used [[Barnard's Inn]], [[Holborn]] and then between 1894 and 1914 they used [[Clifford's Inn]].<ref name=ox/> In 1914, the lease on Clifford's Inn was to end and the organisation was looking for a new home. The [[Central School of Art and Design]] was offered as temporary accommodation by [[London County Council]], with negotiations being held by F. V. Burridge, the college's principal.<ref name=map>{{cite web|url=https://sculpture.gla.ac.uk/view/organization.php?id=msib2_1206479696|title=Art Workers' Guild|website=Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951, University of Glasgow History of Art and HATII|access-date=17 October 2021}}</ref><ref name=oxford>[http://www.oxfordreference.com/view/10.1093/oi/authority.20110803095558717 Overview: Central School of Arts and Crafts]. Oxford Reference. Accessed July 2013.</ref>
 [[File:The Art Worker's Guild.jpg|thumb|The exterior of the Art Workers' Guild]]
-However, the architects Arnold Dunbar Smith and Cecil Claude Brewer had an office in the front of the early Georgian house at 6 [[Queen Square, London|Queen Square]], Bloomsbury and, when they heard that the freehold was for sale, encouraged the guild to buy it.<ref name=ucl/> The back part of the building was reconstructed as a meeting hall, designed by Francis William Troup and inaugurated on 22 April 1914.<ref>{{cite web|url=https://www.ribapix.com/art-workers-guild-6-queen-square-london-the-great-hall_riba28983#|title=Ar Workers Guild, 6 Queen Square, London: The Great Hall. RIBA Ref No RIBA28983|website=RIBAPIX|access-date=21 October 2021}}</ref><ref>{{cite web|url=https://historicengland.org.uk/listing/the-list/list-entry/1139091|title=NUMBER 6 AND ATTACHED RAILINGS|website=Hustoric England|access-date=21 November 2021}}</ref> At the opening, Master [[Harold Speed]] said to his fellow Brothers that he knew they would miss,<ref name=zt/> {{block quote|the picturesque and loveable old hall and Inn}} but encouraged them to enjoy {{block quote|the satisfaction of being our own masters in our own home, and shall doubtless accumulate in the future, traditions and properties in Queen Square, which will render the new home even dearer and more interesting to us than the old}} The hall was furnished with rush-seated chairs made in Herefordshire by [[Philip Clissett]] and his grandsons between 1888 and 1914,<ref name=Carruthers>{{cite book|last=Carruthers|first=Annette|title=Good Citizens Furniture: the Arts and Crafts Collection at Cheltenham.|year=1994|publisher=Cheltenham Art Gallery & Museum|location=Cheltenham|page=81|isbn=9780853316503}}</ref> and afterwards copied by [[Ernest Gimson]] and his successors. The Master sits in a seat designed by Lethaby and a table by Benson.<ref name=zt/> The names of all members up to the year 2000 are painted on a frieze around the walls of the Hall.<ref name=zt/> The list of names now continues in the front room known as the ‘Master’s Room’.{{citation needed|date=September 2019}} In 2017 the building was modernised under the direction of Simon Hurst, the honorary architect of the guild.<ref>{{cite news|url=https://www.e-architect.com/london/art-workers-guild-in-bloomsbury|title=Art Workers' Guild in Bloomsbury: New Glass Roof|newspaper=Square Building News|date=8 October 2021}}</ref> The building contains portraits of every Master since 1884.<ref>{{cite web|url=https://openhouselondon.open-city.org.uk/listings/2003|title=The Art Workers' Guild Georgian|website=openhouselondon|access-date=15 October 2021}}</ref><ref>{{cite book|url=https://books.google.com/books?id=z1jrAAAAMAAJ&q=%22master+of+the+art+Workers%27+Guild%22+portraits|title=Lewis Foreman Day (1845-1910): Unity in Design and Industry|author=Hansen, J. M|page=287|date=2007|isbn=9781851495344}}</ref>
+However, the architects [[Arnold Dunbar Smith]] and Cecil Claude Brewer had an office in the front of the early Georgian house at 6 [[Queen Square, London|Queen Square]], Bloomsbury and, when they heard that the freehold was for sale, encouraged the guild to buy it.<ref name=ucl/> The back part of the building was reconstructed as a meeting hall, designed by Francis William Troup and inaugurated on 22 April 1914.<ref>{{cite web|url=https://www.ribapix.com/art-workers-guild-6-queen-square-london-the-great-hall_riba28983#|title=Ar Workers Guild, 6 Queen Square, London: The Great Hall. RIBA Ref No RIBA28983|website=RIBAPIX|access-date=21 October 2021}}</ref><ref>{{cite web|url=https://historicengland.org.uk/listing/the-list/list-entry/1139091|title=NUMBER 6 AND ATTACHED RAILINGS|website=Hustoric England|access-date=21 November 2021}}</ref> At the opening, Master [[Harold Speed]] said to his fellow Brothers that he knew they would miss,<ref name=zt/> {{blockquote|the picturesque and loveable old hall and Inn}} but encouraged them to enjoy {{blockquote|the satisfaction of being our own masters in our own home, and shall doubtless accumulate in the future, traditions and properties in Queen Square, which will render the new home even dearer and more interesting to us than the old}} The hall was furnished with rush-seated chairs made in Herefordshire by [[Philip Clissett]] and his grandsons between 1888 and 1914,<ref name=Carruthers>{{cite book|last=Carruthers|first=Annette|title=Good Citizens Furniture: the Arts and Crafts Collection at Cheltenham.|year=1994|publisher=Cheltenham Art Gallery & Museum|location=Cheltenham|page=81|isbn=9780853316503}}</ref> and afterwards copied by [[Ernest Gimson]] and his successors. The Master sits in a seat designed by Lethaby and a table by Benson.<ref name=zt/> The names of all members up to the year 2000 are painted on a frieze around the walls of the Hall.<ref name=zt/> The list of names now continues in the front room known as the ‘Master’s Room’.{{citation needed|date=September 2019}} In 2017 the building was modernised under the direction of Simon Hurst, the honorary architect of the guild.<ref>{{cite news|url=https://www.e-architect.com/london/art-workers-guild-in-bloomsbury|title=Art Workers' Guild in Bloomsbury: New Glass Roof|newspaper=Square Building News|date=8 October 2021}}</ref> The building contains portraits of every Master since 1884.<ref>{{cite web|url=https://openhouselondon.open-city.org.uk/listings/2003|title=The Art Workers' Guild Georgian|website=openhouselondon|access-date=15 October 2021}}</ref><ref>{{cite book|url=https://books.google.com/books?id=z1jrAAAAMAAJ&q=%22master+of+the+art+Workers%27+Guild%22+portraits|title=Lewis Foreman Day (1845-1910): Unity in Design and Industry|author=Hansen, J. M|page=287|date=2007|publisher=Antique Collector's Club |isbn=9781851495344}}</ref>
 The guild rents space to the [[British Society of Master Glass Painters]] at Queen Square. The top two floors are rented as an apartment to designers [[Ben Pentreath]] and Charlie McCormick.<ref>{{cite news|url=https://www.thetimes.co.uk/article/interior-designer-to-the-royals-ben-pentreath-on-the-joy-of-being-a-long-term-tenant-and-why-gardening-stressed-him-out-v9wh68d69|title=Interior designer to the royals Ben Pentreath on the joy of being a long-term tenant and why gardening stressed him out|newspaper=The Times|author=Wintle. A|date=13 May 2018}}</ref><ref>{{cite magazine|url=https://i.stuff.co.nz/life-style/home-property/nz-house-garden/91536931/expat-kiwis-bold-bright-and-botanical-living-room|title=Ex-pat Kiwi's bold, bright and botanical living room|magazine=Stuff|date=25 April 2017}}</ref>
@@ Line 77: / Line 77: @@
 The guild was visited by [[Charles, Prince of Wales|Prince Charles]] and [[Camilla, Duchess of Cornwall|Camilla]], the Duke and Duchess of Cornwall in 2015 as part of the [[London Craft Week]].<ref>{{cite magazine|url=https://www.hellomagazine.com/royalty/2015020523273/prince-charles-duchess-of-cornwall-london-engagements|title=Prince Charles and Duchess of Cornwall have fun at London engagements|magazine=Hello|date=5 February 2015}}</ref> In 2018, the guild staged the exhibition Salon des Refusés, 30 pieces of work by RIBA’s Traditional Architecture Group that had been rejected by the [[Royal Academy]]'s Piers Gough architecture room.<ref>{{cite news|url=https://www.bdonline.co.uk/rejected-classical-architects-hold-rebel-show/5094131.article|title=Rejected classical architects hold rebel show|newspaper=Building Design|author=Elizabeth Hopkirk|date=18 June 2018}}</ref>
+In 2023, the guild put forward designs from eight of its Brothers to create rough designs for King Charles coronation invitations. Andrew Jamieson was chosen and his floral design was printed on recycled card.<ref>{{cite news|url=https://www.independent.co.uk/life-style/royal-family/king-coronation-invitation-westminster-abbey-b2314474.html|title=Artist who painted for King's coronation sworn to secrecy|newspaper=The Independent|date=5 April 2023}}</ref>
 ==Past Masters of the guild==
@@ Line 87: / Line 89: @@
 *1892 [[William Morris]]<ref name=pm/><ref name=apollo/>
 *1893 [[John Thomas Micklethwaite|J. T. Micklethwaite]]<ref name=pm/><ref>{{cite book|url=https://books.google.com/books?id=jkcNAQAAIAAJ&q=%22art+workers+guild%22+J.+T.+Micklethwaite|title=British Sculpture 1850-1914: Catalogue of a Loan Exhibition of Sculpture and Medals Sponsored by the Victorian Society, 30th September-30th October 1968|year=1968|page=29}}</ref>
-*1894 [[Heywood Sumner]]<ref name=pm/><ref name=phil>{{cite book|url=https://books.google.com/books?id=SqzKa8ERPOAC&dq=master+of+the+art+workers+guild&pg=PA292|title=The History and Philosophy of Art Education|author=Macdonald. S|page=292|isbn=9780340094204|date=1970}}</ref>
+*1894 [[Heywood Sumner]]<ref name=pm/><ref name=phil>{{cite book|url=https://books.google.com/books?id=SqzKa8ERPOAC&dq=master+of+the+art+workers+guild&pg=PA292|title=The History and Philosophy of Art Education|author=Macdonald. S|page=292|isbn=9780340094204|date=1970|publisher=James Clarke & Co. }}</ref>
 *1895 [[Edward Onslow Ford]]<ref name=pm/><ref name="DArts">{{cite web|url=https://www.tate.org.uk/research/publications/in-focus/the-singer-and-applause-edward-onslow-ford/ford-and-the-decorative-arts|title=Ford and the Decorative Arts, ''The Singer'' exhibited 1889 and ''Applause'' 1893 by Edward Onslow Ford|author=Jason Edwards|year=2013|website=Tate|access-date= 10 September 2021}}</ref>
 *1896 [[Thomas Graham Jackson|Sir T. Graham Jackson]]<ref name=pm/><ref name=tgj>{{cite web|url=https://sculpture.gla.ac.uk/view/person.php?id=msib2_1213351236|title=Sir Thomas Graham Jackson|website=Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951, University of Glasgow History of Art and HATII|access-date=17 October 2021}}</ref>
 *1897 [[Lewis Foreman Day]]<ref name=pm/><ref name="journal">{{cite journal|last1=Rycroft|first1=Elizabeth|title=Lewis Foreman Day (1845-1910) and of the Society of Arts|journal=RSA Journal|date=April 1992|jstor=41375825|volume=140|issue=5428|page=334}}</ref>
 *1898 [[Thomas Stirling Lee]]<ref name=pm/><ref>{{cite web|url=https://sculpture.gla.ac.uk/view/person.php?id=msib2_1203635537|title=Thomas Stirling Lee|website=Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951, University of Glasgow|access-date=19 October 2021}}</ref>
-*1899 Sir Mervyn Macartney<ref name=pm/><ref>{{cite book|url=https://books.google.com/books?id=q2qbAAAACAAJ|title=Mervyn Edmund Macartney, architect, 1853-1932|author=Ward. J|date=1998|isbn=0953464105}}</ref>
+*1899 [[Mervyn Macartney|Sir Mervyn Macartney]]<ref name=pm/><ref>{{cite book|url=https://books.google.com/books?id=q2qbAAAACAAJ|title=Mervyn Edmund Macartney, architect, 1853-1932|author=Ward. J|date=1998|publisher=Jan Ward |isbn=0953464105}}</ref>
 *1900 [[Selwyn Image]]<ref name=pm/><ref name="Benezit Dictionary">{{cite book |title=Benezit Dictionary of British Graphic Artists and Illustrators, Volume 1 |date=2012 |publisher=Oxford University Press |isbn=978-0199923052 |pages=1344 |url=https://books.google.com/books?id=05C02RhJZCkC&q=selwyn+image+bodiam+sussex&pg=PA601 |access-date=21 July 2018}}</ref>
 *1901 Sir [[Frank Short]]<ref name=pm/><ref>{{cite book|url=https://books.google.com/books?id=_JdFAAAAIAAJ&q=%22Frank+Short%22+|title=The Year's Art|date=1901|page=123}}</ref>
-*1902 [[George Frampton|Sir George Frampton]]<ref name=pm/><ref>{{cite book|title=British Sculpture 1470 to 2000: A Concise Catalogue of the Collection at the Victoria and Albert Museum|first1=Diane |last1=Bilbey |first2=Marjorie |last2=Trusted|date=2002|page=262|isbn=9781851773954}}</ref>
+*1902 [[George Frampton|Sir George Frampton]]<ref name=pm/><ref>{{cite book|title=British Sculpture 1470 to 2000: A Concise Catalogue of the Collection at the Victoria and Albert Museum|first1=Diane |last1=Bilbey |first2=Marjorie |last2=Trusted|date=2002|page=262|publisher=V & A Publications |isbn=9781851773954}}</ref>
 *1903 [[Charles Harrison Townsend]]<ref name=pm/><ref name=zt/>
 *1904 [[Emery Walker|Sir Emery Walker]]<ref name=pm/><ref>{{London Gazette|issue=33566|page=2|date=31 December 1929}}</ref>
@@ Line 101: / Line 103: @@
 *1906 [[Edward Schroeder Prior|Edward S. Prior]]<ref name=pm/><ref>{{cite book|url=https://books.google.com/books?id=My3hAAAAMAAJ&q=%22Edward+prior%22+art+workers+guild+master|title=The Book Collector, Volume 29|date=1980|page=213}}</ref>
 *1907 [[William Strang]]<ref name=pm/><ref>{{cite book|url=https://books.google.com/books?id=8VgDAAAAMAAJ&q=%22William+Strang%22+master+art+workers+guild|title=The Reformers' Year Book|author=Joseph Edwards, Frederick William Pethick-Lawrence Baron Pethick-Lawrence|date=1908|issue=14|page=208}}</ref>
-*1908 [[F. W. Pomeroy]]<ref name=pm/><ref>{{cite book|url=https://books.google.com/books?id=mFOhWSH9B6wC&dq=%22Frederick+William+Pomeroy%22+master+of+art+workers+guild&pg=PA457|title=Public Sculpture of Greater Manchester|author=Terry Wyke, Harry Cocks|date=2004|page=457|isbn=9780853235576}}</ref>
+*1908 [[F. W. Pomeroy]]<ref name=pm/><ref>{{cite book|url=https://books.google.com/books?id=mFOhWSH9B6wC&dq=%22Frederick+William+Pomeroy%22+master+of+art+workers+guild&pg=PA457|title=Public Sculpture of Greater Manchester|author=Terry Wyke, Harry Cocks|date=2004|page=457|publisher=Liverpool University Press |isbn=9780853235576}}</ref>
-*1909 [[George Clausen|Sir George Clausen]]<ref name=pm/><ref>{{cite book|url=https://books.google.com/books?id=Xl1HAQAAIAAJ&q=%22George+Clausen%22+master+of+art+workers+guild|title=Sir George Clausen, R.A. 1852-1944|author=Kenneth McConkey|date=1980|page=78|isbn=9780905974040}}</ref>
+*1909 [[George Clausen|Sir George Clausen]]<ref name=pm/><ref>{{cite book|url=https://books.google.com/books?id=Xl1HAQAAIAAJ&q=%22George+Clausen%22+master+of+art+workers+guild|title=Sir George Clausen, R.A. 1852-1944|author=Kenneth McConkey|date=1980|page=78|publisher=City of Bradford Metropolitan District Council and Tyne and Wear County Council |isbn=9780905974040}}</ref>
-*1910 [[Halsey Ricardo]]<ref name=pm/><ref>{{cite book|url=https://books.google.com/books?id=ivNymj-0nZwC&dq=%22Halsey+Ricardo%22+master+art+workers+guild&pg=PA86|title=The Transactions of the Royal Institute of British Architects Town Planning Conference, London. 10-15 October 1910|date=1911|page=86|isbn=9780415677394|author1=Riba}}</ref>
+*1910 [[Halsey Ricardo]]<ref name=pm/><ref>{{cite book|url=https://books.google.com/books?id=ivNymj-0nZwC&dq=%22Halsey+Ricardo%22+master+art+workers+guild&pg=PA86|title=The Transactions of the Royal Institute of British Architects Town Planning Conference, London. 10-15 October 1910|date=1911|page=86|isbn=9780415677394|author1=Riba|publisher=Routledge }}</ref>
 *1911 [[William Lethaby|W. R. Lethaby]]<ref name=pm/><ref>{{cite book|author=Watkinson, Ray.|title="Godfrey Rubens's Lethaby" (well-informed book review).|publisher=William Morris Journal. 7.1|date=Autumn 1986|issue=68|pages=25–35}}</ref>
 *1912 [[Christopher Whall|C. W. Whall]]<ref name=pm/><ref name=neq/>
@@ Line 112: / Line 114: @@
 *1917 [[Henry Wilson (architect)|Henry Wilson]]<ref name=pm/><ref>{{cite web|url=https://aim25.com/cgi-bin/vcdf/detail?coll_id=3056&inst_id=40&nv1=search&nv2=|title=WILSON, Henry (1864-1934)|website=AIM25|access-date=17 October 2021}}</ref>
 *1918 [[Walter Shirley, 11th Earl Ferrers]]<ref name=pm/><ref>{{cite book|url=https://books.google.com/books?id=5b9FAAAAIAAJ&q=%22Walter+Knight+Shirley%22+master+of+art+workers+guild|title=The Year's Art|date=1938|page=323}}</ref>
-*1919 [[Arthur Rackham]]<ref name=pm/><ref>{{cite book|url=https://books.google.com/books?id=05C02RhJZCkC&dq=%22Arthur+Rackham%22+master+of+art+workers+guild&pg=RA1-PA245|title=Benezit Dictionary of British Graphic Artists and Illustrators, Volume 1|author=Bury. S|date=2012|isbn=9780199923052}}</ref>
+*1919 [[Arthur Rackham]]<ref name=pm/><ref>{{cite book|url=https://books.google.com/books?id=05C02RhJZCkC&dq=%22Arthur+Rackham%22+master+of+art+workers+guild&pg=RA1-PA245|title=Benezit Dictionary of British Graphic Artists and Illustrators, Volume 1|author=Bury. S|date=2012|publisher=Oup USA |isbn=9780199923052}}</ref>
 *1920 [[Robert Weir Schultz|R. W. S. Weir]](previously known as Robert Weir Schultz)<ref name=pm/><ref>{{cite magazine|url=https://www.countrylife.co.uk/gardens/country-gardens-and-gardening-tips/the-owners-of-weirs-barn-brought-robert-weir-schultzs-arts-crafts-gardens-back-to-life|title=Weirs Barn: A Hampshire garden where Robert Weir Schultz's Arts-and-Crafts vision came back to life|magazine=Countrylife|author=Daneff. T|date=21 April 2021}}</ref>
 *1921 [[Robert Anning Bell|R. Anning Bell]]<ref name=pm/><ref name=apollo/>
-*1922 [[Laurence Arthur Turner|Laurence A. Turner]]<ref name=pm/><ref>{{cite book|url=https://books.google.com/books?id=I1TqAAAAMAAJ&q=%22Laurence+Arthur+Turner%22+master+art+workers+guild|title=British Sculpture 1470 to 2000: A Concise Catalogue of the Collection at the Victoria and Albert Museum|author=Bilbey. D|date=2002|page=470|isbn=9781851773954}}</ref>
+*1922 [[Laurence Arthur Turner|Laurence A. Turner]]<ref name=pm/><ref>{{cite book|url=https://books.google.com/books?id=I1TqAAAAMAAJ&q=%22Laurence+Arthur+Turner%22+master+art+workers+guild|title=British Sculpture 1470 to 2000: A Concise Catalogue of the Collection at the Victoria and Albert Museum|author=Bilbey. D|date=2002|page=470|publisher=Harry N. Abrams |isbn=9781851773954}}</ref>
 *1923 Francis W. Troup<ref name=pm/><ref>{{cite book|url=https://books.google.com/books?id=8XpZAAAAYAAJ&q=workers+guild|title=Who's who in Architecture, 1923|author=Chatterton. F|date=1923|page=252}}</ref>
-*1924 [[Charles Voysey (architect)|C. F. Annesley Voysey]]<ref name=pm/><ref>{{cite book|url=https://books.google.com/books?id=2tt1CQAAQBAJ&dq=%22voysey%22+art+workers+guild&pg=PA15|title=The Art and Architecture of C.F.A Voysey: English Pioneer Modernist Architect & Designer|author=David Cole|date=2015|isbn=9781864706048}}</ref>
+*1924 [[Charles Voysey (architect)|C. F. Annesley Voysey]]<ref name=pm/><ref>{{cite book|url=https://books.google.com/books?id=2tt1CQAAQBAJ&dq=%22voysey%22+art+workers+guild&pg=PA15|title=The Art and Architecture of C.F.A Voysey: English Pioneer Modernist Architect & Designer|author=David Cole|date=2015|publisher=Images |isbn=9781864706048}}</ref>
 *1925 [[Gilbert Bayes]]<ref name=pm/><ref name=MappingGWB>{{cite web |author=University of Glasgow History of Art / HATII|url=https://sculpture.gla.ac.uk/view/person.php?id=msib2_1203020390 |title= Gilbert William Bayes HRI, PRBS|year=2011|access-date=27 April 2020|work=Mapping the Practice and Profession of Sculpture in Britain & Ireland 1851–1951}}</ref>
 *1926 John Leighton<ref name=pm/>
@@ Line 133: / Line 135: @@
 *1938 [[Richard Garbe]]<ref name=pm/><ref name=mapb>{{Cite web|title=Richard Louis Garbe RA|url=https://sculpture.gla.ac.uk/view/person.php?id=msib2_1210166472|access-date=17 August 2020|website=Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951, University of Glasgow History of Art and HATII, online database 2011}}</ref>
 *1939–40 Hamilton T. Smith<ref name=pm/><ref>{{cite book|url=https://books.google.com/books?id=msJFAAAAIAAJ&q=%22Hamilton+T.+Smith%22+art+workers+guild|title=The Year's Art|date=1940|page=91}}</ref>
-*1941 Percy J. Delf Smith<ref name=pm/><ref>{{cite book|url=https://books.google.com/books?id=8VNDAAAAYAAJ&q=Percy+J.+Delf+Smith+art+workers+guild|title=The Journal of the Royal Society of Arts|issue=95|page=190|date=1947}}</ref>
+*1941 [[Percy Delf Smith|Percy J. Delf Smith]]<ref name=pm/><ref>{{cite book|url=https://books.google.com/books?id=8VNDAAAAYAAJ&q=Percy+J.+Delf+Smith+art+workers+guild|title=The Journal of the Royal Society of Arts|issue=95|page=190|date=1947}}</ref>
 *1942 George Parlby<ref name=pm/><ref>{{cite web|url=https://sculpture.gla.ac.uk/view/person.php?id=msib2_1217244252|title=George Parlby|website=Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951, University of Glasgow History of Art and HATII|access-date=25 October 2021}}</ref>
-*1943 [[Albert Richardson|Sir Albert Richardson]]<ref name=pm/><ref>{{cite book|url=https://books.google.com/books?id=-tUjAAAAMAAJ&q=%22Albert+Richardson%22+art+workers+guild|title=Sir Albert Richardson: The Professor|author=Houfe. S|date=1980|page=117|isbn=9780900804267}}</ref>
+*1943 [[Albert Richardson (architect)|Sir Albert Richardson]]<ref name=pm/><ref>{{cite book|url=https://books.google.com/books?id=-tUjAAAAMAAJ&q=%22Albert+Richardson%22+art+workers+guild|title=Sir Albert Richardson: The Professor|author=Houfe. S|date=1980|page=117|publisher=White Crescent Press |isbn=9780900804267}}</ref>
-*1944 [[William Henry Ansell]]<ref name=pm/><ref>{{cite book|url=https://books.google.com/books?id=s9lPAAAAMAAJ&q=%22W.+H.+Ansell%22+art+workers+guild|title=Edwardian Architecture: A Biographical Dictionary|author=Alexander Stuart Gray|page=89|date=1986|isbn=9780715610121}}</ref>
+*1944 [[William Henry Ansell]]<ref name=pm/><ref>{{cite book|url=https://books.google.com/books?id=s9lPAAAAMAAJ&q=%22W.+H.+Ansell%22+art+workers+guild|title=Edwardian Architecture: A Biographical Dictionary|author=Alexander Stuart Gray|page=89|date=1986|publisher=University of Iowa Press |isbn=9780715610121}}</ref>
 *1945 [[James Humphries Hogan]]<ref name=pm/><ref>{{cite book|url=https://books.google.com/books?id=4eZTJPOp1HgC&q=%22James+H.+Hogan%22+art+workers+guild|title=The Studio|issue=135|page=156|date=1948}}</ref>
-*1946 [[Cecil Thomas (sculptor)|Cecil Thomas]]<ref name=pm/><ref name="odnb">{{cite ODNB|url=http://www.oxforddnb.com/view/article/64419|title=Thomas, Cecil Walter|last=Simmons|first=Frances|date=October 2007|doi=10.1093/ref:odnb/64419|accessdate=6 January 2016}} {{Subscription or membership required}}</ref>
+*1946 [[Cecil Thomas (sculptor)|Cecil Thomas]]<ref name=pm/><ref name="odnb">{{cite ODNB|url=http://www.oxforddnb.com/view/article/64419|title=Thomas, Cecil Walter|last=Simmons|first=Frances|date=October 2007|doi=10.1093/ref:odnb/64419|access-date=6 January 2016}} {{Subscription or membership required}}</ref>
 *1947 Stephen J. B. Stanton<ref name=pm/><ref>{{cite book|url=https://books.google.com/books?id=pvRUAAAAMAAJ&q=%22Stephen+Stanton%22+masters++art+workers+guild+%221947%22|title=Journal of the Royal Institute of British Architects|date=1951|page=407}}</ref>
 *1948 Eric Hesketh Hubbard<ref name=pm/><ref>{{cite book|url=https://books.google.com/books?id=QkEPAQAAIAAJ&q=%22+Hesketh+Hubbard%22++|title=The Voice of Industry|date=1947}}</ref>
@@ Line 148: / Line 150: @@
 *1954 [[William Washington (painter)|William Washington]]<ref name=pm/>
 *1955 Reginald Robert Tomlinson<ref name=pm/><ref>{{cite web|url=https://artuk.org/discover/artists/tomlinson-reginald-robert-18851978|title=Reginald Robert Tomlinson 1885–1978 British, English|website=artuk.org|access-date=26 October 2021}}</ref>
-*1956 [[Donald McMorran|Donald H. McMorran]]<ref name=pm/><ref name=dm>{{cite book|url=https://books.google.com/books?id=wV5IAQAAIAAJ&q=%22Donald+McMorran%22+art+workers+guild|title=McMorran & Whitby: Twentieth Century Architects|author=Denison. E|date=2009|page=141|isbn=9781859463208}}</ref>
+*1956 [[Donald McMorran|Donald H. McMorran]]<ref name=pm/><ref name=dm>{{cite book|url=https://books.google.com/books?id=wV5IAQAAIAAJ&q=%22Donald+McMorran%22+art+workers+guild|title=McMorran & Whitby: Twentieth Century Architects|author=Denison. E|date=2009|page=141|publisher=RIBA |isbn=9781859463208}}</ref>
 *1957 [[Brian Thomas (church artist)|Brian D. L. Thomas]]<ref name=pm/><ref>{{cite journal|url=https://books.google.com/books?id=GfdUAAAAMAAJ&q=%22Brian+Thomas%22+art+workers+guild|title=I. Formative Years|journal=Journal of the Royal Institute of British Architects|volume=64|date=1957|page=218}}</ref>
 *1958 [[Laurence Bradshaw]]<ref name=pm/><ref>{{Cite web|title=Laurence Henderson Bradshaw - Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951|url=https://sculpture.gla.ac.uk/view/person.php?id=ann_1269000135|access-date=2021-04-25|website=sculpture.gla.ac.uk}}</ref>
@@ Line 154: / Line 156: @@
 *1960 [[Stuart Tresilian]]<ref name=pm/><ref>{{cite book|url=https://books.google.com/books?id=bU8QAAAAIAAJ&q=%22Stuart+Tresilian%22+art+workers+guild |title=An Almanack for the Year of Our Lord|author=Whitaker. J|date=1961|page=980}}</ref>
 *1961 Sydney M. Cockerell<ref name=pm/><ref>{{cite magazine|url=https://books.google.com/books?id=xOBCAAAAIAAJ&q=%22sydney+morris+cockerell%22+art+workers+guild|title=Sydney M. Cockerell |magazine=British Bookbinding Today|date=1976|page=18}}</ref>
-*1962 [[Gordon Russell (designer)|Sir Gordon Russell]]<ref name=pm/><ref>{{cite book|url=https://books.google.com/books?id=o2VJAQAAIAAJ&q=+art+workers+guild|title=Gordon Russell: Designer of Furniture, 1892-1992|author=Myerson. J|date=1992|page=6|isbn=9780850723069}}</ref>
+*1962 [[Gordon Russell (designer)|Sir Gordon Russell]]<ref name=pm/><ref>{{cite book|url=https://books.google.com/books?id=o2VJAQAAIAAJ&q=+art+workers+guild|title=Gordon Russell: Designer of Furniture, 1892-1992|author=Myerson. J|date=1992|page=6|publisher=Design Council |isbn=9780850723069}}</ref>
 *1963 [[Milner Gray (designer)|Milner Grey]]<ref name=pm/><ref>{{cite book|url=https://books.google.com/books?id=_1NQAAAAYAAJ&q=%22Milner+Gray%22+art+workers+guild|title=Design, Issues 169-174|page=75|date=1963}}</ref>
 *1964 Arthur Llewellyn Smith<ref name=pm/><ref>{{cite book|url=https://books.google.com/books?id=x0zWAAAAMAAJ&q=%22Arthur+Llewellyn+Smith%22+art+workers+guild|title=Annual Report|author=William Morris Society|date=1978|page=4}}</ref>
@@ Line 165: / Line 167: @@
 *1971 [[Paul Edward Paget]]<ref name=pm/>
 *1972 [[Joan Hassall]]<ref name=pm/>
-*1973 [[David Peace (Glass engraver)|David Peace]]<ref name=pm/><ref name=neq>{{cite journal|title=Boston Artists and Craftsmen at the Opening of the Twentieth Century|journal=The New England Quarterly|pages=387–408|issue=50:3|date=September 1977|doi=10.2307/364275|jstor=364275|last1=Whitehill|first1=Walter Muir|volume=50}}</ref>
+*1973 [[David Peace (Glass engraver)|David Peace]]<ref name=pm/><ref name=neq>{{cite journal|title=Boston Artists and Craftsmen at the Opening of the Twentieth Century|journal=The New England Quarterly|pages=387–408|issue=3|date=September 1977|doi=10.2307/364275|jstor=364275|last1=Whitehill|first1=Walter Muir|volume=50}}</ref>
 *1974 Rodney Tatchell<ref name=pm/><ref name=neq/>
 *1975 [[Dennis Flanders]]<ref name=pm/><ref>{{cite news |author=Skipwith. Peyton|url= https://www.independent.co.uk/news/people/obituary-dennis-flanders-1377139.html|title=Obituary: Dennis Flanders|date=17 August 1994|access-date=31 August 2016|newspaper=[[The Independent]]}}</ref>
@@ Line 176: / Line 178: @@
 *1982 Margaret Maxwell<ref name=pm/><ref>{{cite news|url=https://www.independent.co.uk/news/obituaries/margaret-maxwell-6108126.html|title=Margaret Maxwell|author=Hamilton. James|newspaper=[[The Independent]]|date=28 February 2006}}</ref>
 *1983 John R. Biggs<ref name=pm/><ref>{{cite web|url=http://arts.brighton.ac.uk/alumni-arts/biggs,-john-r-1909-1989|title=John R Biggs|website=University of Brighton|access-date=28 October 2021}}</ref>
-*1984 [[Peter Shepheard|Sir Peter Shepheard]]<ref name=pm/><ref>{{cite news |title=Sir Peter Shepheard: Urban architect with a lifelong vision of the natural world |url=https://www.theguardian.com/news/2002/apr/15/guardianobituaries.obituaries |work=The Guardian |date=15 April 2002|accessdate=15 October 2014}}</ref>
+*1984 [[Peter Shepheard|Sir Peter Shepheard]]<ref name=pm/><ref>{{cite news |title=Sir Peter Shepheard: Urban architect with a lifelong vision of the natural world |url=https://www.theguardian.com/news/2002/apr/15/guardianobituaries.obituaries |work=The Guardian |date=15 April 2002|access-date=15 October 2014}}</ref>
 *1985 [[John Skelton (sculptor)|John Skelton]]<ref name=pm/><ref>{{cite news|url=https://www.independent.co.uk/arts-entertainment/obituary-john-skelton-1130606.html|title=Obituary: John Skelton|author=Powers. A|newspaper=The Independent|date=6 December 1999}}</ref>
 *1986 Paddy (Patricia) Curzon-Price<ref name=pm/>
@@ Line 200: / Line 202: @@
 *2006 Stephen Gotlieb<ref name=pm/>
 *2007 [[Assheton Gorton]]<ref name=pm/>
-*2008 [[Brian Webb]]<ref name=pm/><ref>{{cite book|url=https://books.google.com/books?id=YaLQDwAAQBAJ&dq=%22master+of+the+art+workers%27+Guild%22+%22Brian+Webb%22&pg=PT214|title=Eileen Hogan: Personal Geographies|first1=Elisabeth R. |last1=Fairman |first2=Eileen |last2=Hogan |first3=Duncan |last3=Robinson |first4=Roderick Conway |last4=Morris |first5=Todd |last5=Longstaffe-Gowan |first6=Sarah Victoria |last6=Turner|page=214|date=2019|isbn=9780300241471}}</ref>
+*2008 [[Brian Webb]]<ref name=pm/><ref>{{cite book|url=https://books.google.com/books?id=YaLQDwAAQBAJ&dq=%22master+of+the+art+workers%27+Guild%22+%22Brian+Webb%22&pg=PT214|title=Eileen Hogan: Personal Geographies|first1=Elisabeth R. |last1=Fairman |first2=Eileen |last2=Hogan |first3=Duncan |last3=Robinson |first4=Roderick Conway |last4=Morris |first5=Todd |last5=Longstaffe-Gowan |first6=Sarah Victoria |last6=Turner|page=214|date=2019|publisher=Yale University Press |isbn=9780300241471}}</ref>
 *2009 Alison Jensen<ref name=pm/>
 *2010 Sophie MacCarthy<ref name=pm/>
@@ Line 212: / Line 214: @@
 *2018 Jane Cox<ref name=onw/>
 *2019 Anne Thorne<ref>{{cite web|url=https://www.artworkersguild.org/what-we-do/events/outreach-evening-conversation/|title=Outreach Evening Conversation|website=Art Workers' Guild|access-date=21 October 2021}}</ref>
-*2020 [[Alan Powers]]<ref>{{cite web|url=https://www.battleofideas.org.uk/2019/speaker/alan-powers/ |title=Alan Power; teacher; leader for history and theory, London School of Architecture; author, Bauhaus Goes West|website=Battle of Ideas Festival|access-date=21 October 2021}}</ref>
+*2020-21 [[Alan Powers]]<ref>{{cite web|url=https://www.battleofideas.org.uk/2019/speaker/alan-powers/ |title=Alan Power; teacher; leader for history and theory, London School of Architecture; author, Bauhaus Goes West|website=Battle of Ideas Festival|access-date=21 October 2021}}</ref>
-* 2021 Tracey Sheppard<ref>{{cite web|url=https://www.artworkersguild.org/news-page|title=News|website=Art Workers' Guild|access-date=21 January 2021}}</ref><ref>{{cite web|url=https://www.artworkersguild.org/about-us/constitution/|title=Constitution|website=Art Workers' Guild|access-date=21 January 2021}}</ref>
+*2021-22 Tracey Sheppard<ref>{{cite web|url=https://www.artworkersguild.org/news-page|title=News|website=Art Workers' Guild|access-date=21 January 2021}}</ref><ref>{{cite web|url=https://www.artworkersguild.org/about-us/constitution/|title=Constitution|website=Art Workers' Guild|access-date=21 January 2021}}</ref>
 }}
+*2023 [[Fred Baier]]<ref>{{cite web|url=https://www.artworkersguild.org/news-page/|title=Thursday 5 October 2023|website=Art Worker's Guild|access-date=11 February 2024}}</ref>
+*2024 [[Rob Ryan (artist)|Rob Ryan]]<ref>{{cite web|url=https://www.artworkersguild.org/what-we-do/guild-meetings/|title=Guild meetings|website=Art Workers' Guild|access-date=11 February 2024}}</ref>
 ==References==

Authority control databases
International	ISNI VIAF
National	Israel United States