Les Boréades | Rameau

Once upon a time … The tale of the production of an opera in Dijon … Dive into the heart of Les Boréades, a lyrical and unique production which is a veritable event at the Opéra de Dijon.

Portrait of Rameau in 1876 (1876)The Grand Theatre and Opera House of Dijon

A famous composer born in Dijon

Jean-Philippe Rameau was born in the 17th Century and is now considered to be one of the greatest French musicians of all time. His art was mainly expressed through lyrical pieces, particularly in the opera-ballet genre and in harpsichord music.

Les Boréades by Rameau, 2019 production of the Dijon Opera (2019) by Jean-Philippe Rameau, Stage direction: Barrie Kosky, and Musical direction: Emmanuelle HaïmThe Grand Theatre and Opera House of Dijon

Les Boréades, a must-see

This opera is a must-see if you want to discover the composer's genius. Composed after he had turned 80 years of age, Les Boréades, an incredibly novel piece at its time, was the final musical tragedy created by Rameau.

Rehearsals began in the early summer of 1764, but the play never made it to the stage: when Rameau passed away on September 12, 1764, Les Boréades remained incomplete.

Les Boréades by Rameau, 2019 production of the Dijon Opera (2019) by Jean-Philippe Rameau, Stage direction: Barrie Kosky, and Musical direction: Emmanuelle HaïmThe Grand Theatre and Opera House of Dijon

A real bombshell in the midst of the Ancien Régime

Resonating with the societal questioning at the time, Emmanuelle Haïm, orchestra conductor and Barrie Kosky, director, were able to offer a reinterpretation of this score which, one by one, takes on the social and political foundations of the absolute monarchy: 

Nobility and blood-borne privileges, the status of women in society, the incontestable and arbitrary power of the King, and the docility and passivity of the people.

Les Boréades by Rameau, 2019 production of the Dijon Opera (2019) by Jean-Philippe Rameau, Stage direction: Barrie Kosky, and Musical direction: Emmanuelle HaïmThe Grand Theatre and Opera House of Dijon

Topics which still apply today, in the 21st Century

Les Boréades is one of Rameau's operas, and out of the whole Baroque period, it is the piece which resonates most with the challenges faced in today's day and age:

The individual's attitude faced with the arbitrary nature and violence of power—like social positions, enslavement and liberation of women, casts in society, the freedom to love and awareness of the power personal actions …

Les Boréades by Rameau, 2019 production of the Dijon Opera (2019) by Jean-Philippe Rameau, Stage direction: Barrie Kosky, and Musical direction: Emmanuelle HaïmThe Grand Theatre and Opera House of Dijon

Cherished freedom

The whole piece appears to focus on the frontispiece of the lyrics in the second act: "It's freedom which we need to love, Freedom is the highest good! " 

Les Boréades by Rameau, 2019 production of the Dijon Opera (2019) by Jean-Philippe Rameau, Stage direction: Barrie Kosky, and Musical direction: Emmanuelle HaïmThe Grand Theatre and Opera House of Dijon

The freedom to love, for a woman who rejected the marital matches imposed on her, the political liberty of someone who revolts against the arbitrary privileges of a social class and demonstrates that nobility is, above all, a question of virtue and not blood. 

Les Boréades by Rameau, 2019 production of the Dijon Opera (2019) by Jean-Philippe Rameau, Stage direction: Barrie Kosky, and Musical direction: Emmanuelle HaïmThe Grand Theatre and Opera House of Dijon

Spectacles have rarely been incorporated into the dramatic and musical structure in such an organic and significant way.

Les Boréades by Rameau, 2019 production of the Dijon Opera (2019) by Jean-Philippe Rameau, Stage direction: Barrie Kosky, and Musical direction: Emmanuelle HaïmThe Grand Theatre and Opera House of Dijon

In this way, Les Boréades reflects on both the persistent and contradictory legacies of the Ancien Régime and the Lumières, and our current way of responding and overcoming these eras.

Poster of Les Boréades by Rameau at the Dijon Opera in 2019 (2019)The Grand Theatre and Opera House of Dijon

A challenge to take on

This opera was rarely performed in France due to the artistic resources required: ballet and choirs provided, soloists who must have exceptional vocal skills, specific staging elements to represent storms and winds, like various playgrounds for the stage … 

Timelapse of the assembly of a set on the stage of the AuditoriumThe Grand Theatre and Opera House of Dijon

At the heart of the assembly

In just a few seconds, you can experience the work of several days. After their creation in the set workshops, the structures are moved onto the auditorium stage for the final assembly.

Creation of accessories for the opera Les Boréades by RameauThe Grand Theatre and Opera House of Dijon

The sets also include the creation of accessories. Practically invisible to the eyes of spectators in the hall, or as big as the stage itself, the accessory creators work on small accessories and elements of the set alike.

First rehearsals of Les Boréades by RameauThe Grand Theatre and Opera House of Dijon

Invested singers and dancers

While the set is taking shape on the stage, the artists have already started rehearsals with the director and all of the production teams. They have almost four weeks left of daily rehearsals until the opening night.

Dancers' rehearsalsThe Grand Theatre and Opera House of Dijon

Rehearsals, Italian rehearsals (musical rehearsal without accompanying acts or movements), piano staging, orchestra staging ... The artists form a real bond that the audience can feel during each show. 

Les Boréades by Rameau, 2019 production of the Dijon Opera (2019) by Jean-Philippe Rameau, Stage direction: Barrie Kosky, and Musical direction: Emmanuelle HaïmThe Grand Theatre and Opera House of Dijon

Toï toï!

Before the opening show, the artists wish each other good luck with a “Toï toï” (a German expression wishing success) and exchange small gifts, to round off these weeks of intense work.

Interview of the stage director Barrie KoskyThe Grand Theatre and Opera House of Dijon

Action!

Interview with the director, Barrie Kosky

Interview of the musical director Emmanuelle HaïmThe Grand Theatre and Opera House of Dijon

Music!

Interview with the musical director, Emmanuelle Haïm

Interview of Alphise's interpreter Hélène GuilmetteThe Grand Theatre and Opera House of Dijon

Interview with Hélène Guilmette, who plays the role of Alphise

Interview of Abaris' interpreter Mathias VidalThe Grand Theatre and Opera House of Dijon

Interview with Mathias Vidal, who plays the role of Abaris

Les Boréades by Rameau, 2019 production of the Dijon Opera (2019) by Jean-Philippe Rameau, Stage direction: Barrie Kosky, and Musical direction: Emmanuelle HaïmThe Grand Theatre and Opera House of Dijon

European recognition

In 2019, this co-production with the Komische Oper Company (Komische Oper de Berlin) received the Critic's Grand Prix in the Best European Co-production of the Year category from the professional performing arts review association—Syndicat de la Critique. 

Castor et Pollux by Rameau, 2014 production by Dijon Opera (2014) by Jean-Philippe Rameau, Stage direction: Barrie Kosky, and Musical direction: Emmanuelle HaïmThe Grand Theatre and Opera House of Dijon

The company paid tribute to Rameau on several occasions: Castor & Pollux in 2014, as a co-production with the Opéra de Lille, initially produced by the English National Opera and the Komische Oper Berlin.

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